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what's the Point?



Similarly unsatisfying is Glass's own retreads of Bowie/Eno material which come off exactly as exercises in cross-genre education. Listenable, perhaps, but unfortunately devoid of ideas (of feeling even) and rather a bummer for both pop and classical listener alike. I'll take Thaemlitz's classically cut if irreverent take on Kraftwerk over this stuff anytime...

Alondra

on:  mercedes sosa/al despertar
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