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what's the Point?
Similarly unsatisfying is Glass's own retreads of Bowie/Eno material which
come off exactly as exercises in cross-genre education. Listenable,
perhaps, but unfortunately devoid of ideas (of feeling even) and rather a
bummer for both pop and classical listener alike. I'll take Thaemlitz's
classically cut if irreverent take on Kraftwerk over this stuff anytime...
Alondra
on: mercedes sosa/al despertar
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