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Re: [microsound] MUTEK musings...
At 05:56 PM 6/15/00 -0500, you wrote:
it's microsoft that made pcs seem evil.
Before a full scale nuclear platform incident occurs, a few items:
1 - I recall reading years ago that Apple had added a major chunk of code
to MacOs in order to making more friendly to Microsoft applications.
2 - Two of the most popular Microsoft applications, Word and Excel, became
popular (and good) on the Mac), while lagging in the DOS market before
finally dominating the Windows market.
3 - Microsoft stole plenty of its GUI ideas from Apple, but Apple took the
Mac GUI from Xerox.
And then a few comments:
1 - The Mac is lauded for its simplicity, yet is plagued with extension
conflicts and often - especially for audio - requires the sort of tweaking
in the past associated with Windows.
2 - Is it worse (for developers and for users) to grandfather into a
dinosaur OS decades of dead code in order to support every system variant
under the sun as Microsoft does, or rather in the Apple style to pull the
rug out from users' feet every few years with incompatible system upgrades
(PPC, OS-X) and hardware evolutions (most recently, bye to ADB, hello to
the still not quite functional USB and Firewire)?
3 - For musicians, computers should be transparent tools for the making of
music, not tweakstations for the absorption of empty time.
4 - Much software is available for both MacOS and Windows, and it is in the
software - not the OS - that the music is made.
5 - Microsoft and Apple are both big monster companies with different
advertising and culture-illusionist strategies.
6 - The "better" system is the one that Works, whichever it happens to be.
7 - For countercultural rebellion, try BeOS or Linux, or - better yet -
throw out your computer entirely; otherwise admit to shilldom in a
corporate market.
My reality:
I just bought my second Mac (for Logic and Reaktor) and still prefer it to
Wintel boxes (which I use daily for work). But really, OS9 takes
ALT-Tabbing and stay-down menus from - gasp - Windows - and is bafflingly
complex and bloated compared to OS7. Yes, MacOS still is free of
horrifying under-the-bed monsters like the Windows registry, but having
spent the last month trying to convince the various components of my audio
system to talk to each other I am no longer convinced that the Mac is Simple.
Finally:
Brands are brands: Coke and Pepsi; Roland and Korg and Yamaha; Cubase and
Logic; Reaktor and MAX-MSP; Gibson and Fender; McDonalds and Burger King;
Apple and Microsoft. Music is about sound, not brands. Musical sound is
made by musicians through their instruments (computers or otherwise), not
by gear through its users. One asks now of a new Hollywood movie: with
which burger chain is it identified for tie-in marketing? I hope this
branding will not be the case with computer music.
PS:
Now playing here is Hox "It-ness" (Origin), a project of Graham Lewis
(Wire, Dome, He Said, etc) in which vocal pop is quite nicely blended with
almost danceable rhythms and DSP experimentation. To be added to the very
short list of digi-related pop compiled here several months ago...
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joshua maremont / thermal - mailto:thermal@xxxxxxxxxxxxxxxxx
boxman [hako otoko] label - http://www.boxmanstudies.com/