RE: [microsound] The Glitch Bunny

[M Mercer <vletrmx@xxxxxxxxxxx>]

well, I don't know that I would go so far as to call it house.... although 
there is certainly the influence at work at times. It is this aspect of 
clicks & cuts 2 that I think is most successful, that there is never a 
pretense that ultimately directs where each and every track is going to go. 
the liner even goes so far as to clarify that it's not a genre so much as a 
movement, "a collective approach to discontinuity." discontinuity does not 
necessarily denote inaccessibility, at least not to my ears, but it does 
help to justify the scattered sounds that flow between the 3 discs of the 
set. I think there are also plenty of non-beat tracks, or at least less 
obvious sounds, from All, Full Swing, Brinkmann, Sutekh, Fennesz, etc..... 
in any case I think it's a logical extension of C_+_C1, and if you didn't 
like that set, then it's understandable that you wouldn't dig this one 
either.

However, if you are looking for sonic extremes, I found the 12k "Between two 
points" set to be pushing the limits more on that end (that richard chartier 
track.... my ears say ouch!), or, on the flipside, merzbow always gets the 
job done for me.


> forwarded from Ross Healy:
>
> I heard c+c2 and it just made me mad, most of this is not advanced in
> anyway,
> its just house four on the floor beats, why go to extremes of sound and 
> make
> a track dull with an obvious beat?


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m.mercer :: systm
audio-visual communicator

http://artists.mp3s.com/artists/98/systm.html
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