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Re: [microsound] Aube, Lopez in Montreal...correct!



Is Lopez confirmed 100%? I believe the surprise is a damn cool one (if it's
who I think it is).

Thanks,

P
















At 11:49 AM 28/05/2001 -0400, you wrote:
>Montreal, Casa del Populo
>
>présente, presents
>
>
>17 juin, june 17 : Shalabi effects + AUBE
>
>
>08 juillet, july 08 ; Francisco Lopez + SURPRISE !!!!!
>
>
>
>N'oubliez pas, don't forget :
>
> MUTEK - Musique, son et nouvelles technologies / Music, Sound and New
>Technologies
>Montreal -  30 mai au 3 juin 2001 / May 30 to June 3, 2001
> http://www.mutek.ca
>
>
>
>
>
>
>.....
>
> ............ ............ . ............ . ............
>MUTEK - SON, MUSIQUE & NOUVELLES TECHNOLOGIES
>MUTEK - SOUND, MUSIQUE & NEW TECHNOLOGIES
>prochaine édition/next edition 30 mai - 3 juin 2001
>
>mutek@xxxxxxxxxxxxxx, http://www.mutek.ca
> ............ ............ . ............ . ............
>
>Eric Mattson, Mutek guest curator + ORAL
>
>............. ............ . ............ . ............
>ORAl #2: Akufen 03-04-05, 12" AVAILABLE /DISPONIBLE...9 US$  (with post,
>Canada, US), 12 US$ (worldwide)
>distribution: Kompakt, Phonics
>............ ............
>ORAL_CD#1: Ælab    "Sparks series"     s1 * s8p * s8
>	order directly from Oral/commande directe....13 US$  (with post)
>
>COH, Ivan Pavlov (Raster Noton / Wavetrap)
>"I deeply enjoyed the AE sparks release. I like the crisp sound of the
>whole record, slightly reminiscent of Iceland's stiluppsteypa - reminiscent
>in a good way: very few succeed in precise beauty, though many try. ... -
>it is music. Diverse and yet continuous..."
>Richard Chartier (line / 12k)
> "Sparks has a rich intensity with its thick electrical drones. the
>listener can really get lost in this piece and seeing the film only adds to
>the experience even more. a favourite recording of mine which still grows
>in beauty after repeated listening"
>........... ............
>ORAl #CD2: Akufen,  Music for pregancy CD
>	AVAILABLE next summer, Disponible été 2001 http://www.oral.qc.ca
>............ ............ . ............ . ............
>
>
>
>
>
>
>
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