Residualism (was RE: [microsound] max/msp)

[Christopher Sorg <csorg@xxxxxxxxxxxx>]

 And since Kim (almost) mentioned it, I think her work with Max/MSP on
Residualism is just beautiful.  Thanks for all the hard, deep work.  Takes
me away on my days in the office.  Also makes me think about David Tudor's
Neural Synthesis for some reason...hmmm...

Chris
___________________________
Christopher Sorg
Multimedia Artist/Instructor
csorg@xxxxxxxxxxxx
http://csorg.cjb.net

> -----Original Message-----
> From: anechoic [mailto:kim@xxxxxxxxxxxxxxxxx]
> Sent: Friday, June 01, 2001 3:13 PM
> To: microsound@xxxxxxxxxxxxx
> Subject: [microsound] max/msp
>
>
> I have been using Max/MSP for a little over 3 years now...I came to use
> Max/MSP after putting in a couple of years of working in
> Csound...throughout this time I studied some programming (Pascal
> and C) but
> more importantly dusted off my mathematical skills (and started studying
> number theory) so I could implement algorithms for both my (ex)day job as
> well as my personal soundwork...I have dabbled a bit in SuperCollider
> (another fantastic programming environment) but I prefer Max/MSP because I
> have done many many hours of work in this environment and it has become
> like a well broken in tool that seems to balance perfectly in your
> hand...Max/MSP enables me to slosh data back and forth between the music
> and math realms I tend to think in...it also allows me to quickly test out
> and play with ideas or code I stumble across like the quadratic residue
> sequences I've been toying around with...
> my opinion is biased of course as I know many of the people who work for
> Cycling 74, but even if they weren't some of the nicest and most talented
> people I've met I would still use Max/MSP...
> oh yeah, and Gregory is absolutely right about buying Haruki Murakami in
> hardback!
> anyway, just my 0.02 cents
> KIM
>
> __________________________
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> kim@xxxxxxxxxxxxxxxxx
> http://www.anechoicmedia.com
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