I definitely recommend this radio show

[philippe petit <philippe-petit@xxxxxxxxxx>]

> That last email from me was accidentally sent to the list....
>
> It is a good excuse for me to tell anyone who would like thier sounds played on National Australian Radio, that the Radio program I'm involved with specialises in fairly eclectic music and airs almost every night for an hour in every capitol city of Australia.
>
> We do regular programs specialising in minimal music and also do act/label/regional profiles... We play a lot of unreleased stuff on CDR, and also promote labels that dont distribute here but sell discs on their web sites.
>
> If any of this sounds like what your doing you may get some added interest from a new audience in Australia...

yes I definitely recommend this radio show, they have give a lot of airplay to BiP_HOp. Send them your good music, you won't regret it. philippe

http://www.bip-hop.com
ambient landscapes, creative and melodic musica...

SPACEHADS and MAX EASTLEY : the time of the ancient astronaut [bleep 04]
Spaceheads have teamed up with Max Eastley, who wields The Arc (an electric acoustic monochord), and done just that -- removed the motorik syncopated driving beats and replaced them with shimmering cymbals and small percussive gestures and squiggles, while
extending the trumpet into neverendingly evocative chilled-out washes of pure vibratoless horn. Although I am not quite sure what the monochord looks like or how it works, it sounds much like an early analogue moog synth, erupting in wails at times hellish and
chaotic, at times placid and harmonious. An ambient record. Relaxing yet with an undercurrent that will unsettle you in a good way.
>Aquarius newslist - May 2001

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The superb Spaceheads expand to a trio with the addition of sound sculptor and instrument inventor Max Eastley. Their recording, starts with a distantly eerie set of music with soaring trumpet, drums in irregular march and Eastley's 'Arc' (an electroacoustic
monochord) imitating an out-of-tune violin for the feel of a soundtrack to a particularly grim part of a '60s Biblical epic. Though recorded as one long piece, they've thoughtfully indexed the CD into 'songs' or sections as the sounds change. Andy Diagram's
trumpet flutters like a voice in tremolo, other times filling the space with impossibly long notes (he blows then expands the sound beyond the temporal range of human breath). Richard Harrison's work is far more detailed than his usual sensitive funk, mostly
altered bowed and scraped and bent metal. Eastley dances in slow curlicues around them both (at least I think that's him). Very, very nice.
>[RE] Other Music Update (May 16, 2001)