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RE: [microsound] to be against pure surfaces (in the morning)
"now, in terms of functional design, or as a philosophical
holy grail, "total purity" is inherently flawed & should be avoided at all
costs."
Susie Gablick wrote a book called "Has Modernism Failed" which addresses
this very thing... good read too.
David Fodel
Publishing Systems Manager
Wild Oats Markets
3375 Mitchell Lane
Boulder, CO 80301
Direct: 720-562-4831
Fax: 303-938-8474
> ----------
> From: david turgeon
> Reply To: microsound
> Sent: Friday, January 18, 2002 8:52 AM
> To: microsound
> Subject: [microsound] to be against pure surfaces (in the morning)
>
> At 13:00 2002-01-18 +0000, you wrote:
> >I actually find this affinity that I see in the "microsound" scene with
> >concepts of purity and all white surfaces and austerity kind of creepy
> >actually.
>
> the affinity you mention comes from microsound's grand cousin minimalism,
> of course. purity & empty surfaces are all over art & design history,
> from
> yves klein's empty exhibit _rien_ down to the building of the world trade
> center. i think it goes without saying that pure surfaces, "spaces
> without
> influence" as i call them, are inherently fragile. i'm sure deleuze says
> something about this but one only needs to read a reporter, james gleick's
>
> famous book _chaos_ & figure it out themselves. personally i liken any
> search for purity to the platonic search for the primordial "idea": a good
>
> drive to nowhere (as opposed to a bad drive to somewhere). of course
> there
> is more to art than that sort of concern, but as _art_, it doesn't really
> matter what shape a work takes as creativity comes in all forms, & purity
> has always been a most fascinating concept to juggle with as it notably
> impresses girls. now, in terms of functional design, or as a
> philosophical
> holy grail, "total purity" is inherently flawed & should be avoided at all
>
> costs. (for philosophy, a most striking book against plato's "idea" is of
>
> course, karl popper's classic book _open society & its enemies_, which is
> probably also a timely read in the current political context.)
>
> of course, if you ask for my own opinion, i think most minimalist art is
> fragile & thus uninteresting, but someone else might just find this very
> fragility interesting; i think we need to accept that. anyway, your
> initial point didn't have anything to do with minimalism but
> posturing. another empty, groundless debate since in the end, most art
> involves posturing. to take a random example, you saying "art must be
> free
> of theoretical chains" is posturing for the art-for-art's-sake school of
> thought. likewise (an equally random example) when i say that art must be
>
> solid, i may be in fact posturing for realist (or ironic) art, & it helps
> that i'm currently reading northrop frye (_anatomy of criticism_) who's
> giving me the words to express things i felt for a long time. (wait, so
> theory would serve a purpose? good golly, what a concept.) now, i
> wouldn't want people to take it that groundless debate can't be
> interesting
> (it sometimes is), i just think they rarely justify an insult or a cheap
> shot. in the very least make yourself sarcastic.
>
> i realize i'm posting to microsound again & although i have mentioned
> deleuze, plato, gleick, popper & frye, i still haven't referenced the work
>
> of mrs. spears, so allow me to do it now:
>
> "___________________________________________"
>
> have a nice day
> ~ david
>
>
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