Re: [microsound] Re: wired/lowercase/macs/oh my!

[Neil Wiernik <neil@xxxxxxxxx>]

now your just being difficult.....
the community of individuals that listen to whats called microsound 
music...


On Thu, 30 May 2002, NON-DESCRIPT wrote:

> what community are you referring to?  nd
> 
> ----- Original Message -----
> From: Neil Wiernik <neil@xxxxxxxxx>
> To: microsound <microsound@xxxxxxxxxxxxx>
> Sent: Thursday, May 30, 2002 10:31 PM
> Subject: Re: [microsound] Re: wired/lowercase/macs/oh my!
> 
> 
> >
> >
> > simple, more people putting money into a commonity means more ability for
> > availalblity of this sort of music which equals more awareness and
> > experimentation from out side of the community by others. Its like this:
> > how did you hear of microsound (or what ever you personally called it
> > befor it was called MS, I had refered to it as experiemental music back
> > in the 80s and 90s when i first was exposed to the work of kims and
> others)?
> > didnt that exposure to it turn
> > you on to it and cause a new found interest for your self in the music
> > now how ever you choose to take that new found interest is up to you: as a
> > consumer, a producer, a promoture and so forth. Well with more money being
> > spent on these labels becasue of that larger interest it means more
> > records can come out and more people will be exposed to it...
> >
> > neil..
> >
> > On Thu, 30 May 2002, NON-DESCRIPT wrote:
> >
> > > how exactly does that process work? from your experience how does more
> money
> > > translate into more new blood being flushed into the "producing end"?
> i'm
> > > having difficulty seeing this, but i have difficulty seeing in general.
> > > thanks.
> > >                   nd
> > >
> > > ----- Original Message -----
> > > From: Neil Wiernik <neil@xxxxxxxxx>
> > > To: microsound <microsound@xxxxxxxxxxxxx>
> > > Sent: Thursday, May 30, 2002 7:33 PM
> > > Subject: Re: [microsound] Re: wired/lowercase/macs/oh my!
> > >
> > >
> > > >
> > > > I have encountered that situation many times over with all corners of
> > > > musical genras I dont find it scary at all in fact I fnd it
> interesting to
> > > > obverve and see how things move out of non popular culture and into
> > > > popular culture.
> > > > Its like the whole clicky glitchy techno sounds that were comming out
> of
> > > > cologne 5 years ago people thought I was wierd when I discribed the
> kind
> > > > of music I was making or ask me who is tomas brinkmann
> > > > or mike ink. And now they are household words for the most part in
> certain
> > > > circles. I think like any thing there comes a time when your little
> secret
> > > > is no longer a secret and I think of it like this the more the merrier
> ...
> > > > that means if it popular annd there is demand for it then there is
> more
> > > > money pumped into te community and more records, shows and tours can
> > > > happen as well as in turn more new blood flushed into the community
> both
> > > > from a consumer and prodcuing end of things.
> > > > so its all good and the elitest attitude of ssssshhhheee lets keep
> this a
> > > > secret is silly and not very cool at all.
> > > > neil..
> > > >
> > > >
> > > > On Thu, 30 May 2002, lowercase wrote:
> > > >
> > > > > i have to say that i'm highly amused right now.  numerous people
> have
> > > > > asked me about microsound and lowercase music and are wondering what
> to
> > > > > buy/listen to.  anyone else having the same highly scary situation
> > > > > happen?
> > > > >
> > > > > brad
> > > > > --
> > > > > we have some very interesting things going on...
> > > > >
> > > >
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> 
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