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Re: [microsound] hidden from the audience
In a message dated 12/4/02 6:16:09 PM, rbirdwise@xxxxxxxxx writes:
<< how do people feel about a situation where someone
plays back and does some very slight mixing to an
entirley sequenced and/or prerecorded set? >>
I have given a lot of thought to this, and I really think that the social
aspect is often left out of discussions on this topic.
You are in the same room with the person who created the music - that could
be quite special in itself. Perhaps you will get to talk to the performer
afterwards, just to say hello, that might be a very special thing, if you are
a "fan," or whatever. Also, you are with a bunch of other people listening
to the same thing at the same time, you might be wondering - why are they
here, could I find other people with the same interests? Maybe I'm not the
only one in town who likes this kind of stuff. And think what it means to
the performer - "Wow, you came to see me instead of staying home and watching
'Will & Grace?' Oh, you're taping it - whatever, it's great that you're
here!" And further, you're hearing something on a sound system that you
would never install in your own home in a million years (which could be good
or bad, but at least it's different).
My point is that, going out to hear music, pre-recorded/sequenced or
otherwise, is a very complicated activity, which involves a lot more than
what is happening/not happening on stage.
michael
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