Atoms and Errors: Towards a History and Aesthetics of Microsound

["ph!L @ c e n t i b e l" <hellomynameisphil@xxxxxxxxxxxxxx>]

------=_NextPart_000_7FACF_01C2CDCF.3255E6D0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

Hi all,

I recently completed a paper on the history and aesthetics of
microsound. I'm considering it for publication, and would be interested
in getting some feedback on it. It's nothing fancy, just a history of
both "academic" and "non-academic" branches of the microsound thing, and
a brief discussion of the relation between (post-)digital aesthetics and
the practice of microsound in broader social and political contexts. 

I don't feel safe posting it to the list, given the unconstructive
criticism the t-shirts have been getting, and given the rash of recent
troll attacks, but if you think you might be interested in giving some
*constructive* criticism (i.e., not "sorry, but this sucks"), please
email me *offlist* and I will tell you where you can download a copy. I
will warn you that the paper is quite long (30 pp., 12000 words), but
even if you only read one section, I would be grateful. Thanks in
advance!

hellomynameisphil at mail2sound dot com

Phil

::::::::::::::::::::::::::::::::::::::::::::::::
Phil Thomson

http://www3.telus.net/thisisphil/
http://centibel.vze.com/
http://everything.does.it/
http://www.sfu.ca/~pthomson/

moderator of databenders email list:
http://groups.yahoo.com/group/databenders/

releases:
scan (s'agita, italy)
synat (acidfake, macedonia)
:::::::::::::::::::::::::::::::::::::::::::::::: 

_______________________________________________________________
Get the FREE email that has everyone talking at
http://www.mail2world.com

------=_NextPart_000_7FACF_01C2CDCF.3255E6D0--

------------------------------