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> >us guess the original storylines of even classic films."=85 "Musicians=
,
> >today, if they're clever, put new compositions out on the web, like pi=
es
> >set to cool on a window ledge, and wait for other people to anonymousl=
y
> >rework them.  Ten will be all wrong, but the eleventh may be genius.
> >And free. It's as though the creative process is no longer contained
> >within an individual skull, if indeed it ever was. Everything, today, =
is
> >to some extent the reflection of something else."
> >
> >pattern recognition, p. 68.
> >
> >of particular relevance to the virtual electronic music community, i
> >would suspect... not bad stuff coming from a guy who has a soft spot f=
or
> >bruce springteen:)
> >
> >graham.
> >
> g,
>
> I haven't read this one yet, how is it....
> I was disappointed to hear that this book doesn't take place in the
> future..Gibson's work has been pushing ever closer to the present ever =
since
> he concluded the original cowboy trilogy.
>
> But, he is usually pretty insightful. Especially concerning shared
> information and technology.
>
> Oh, and Idoru will happen. And the sky above my office is the color of =
a
> television tuned to a dead station :)
>
> P
>
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