18.04.03 - framework playlist

[". m u r m e r" <murmer@xxxxxxxxxx>]

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framework is broadcast alternate fridays on resonance fm 104.4 in london =
(uk), or worldwide on www.resonancefm.com between 8:30 and 9:30pm gmt=20
(time zone converter: =
http://www.worldtimeserver.com/?h=3D8&mn=3D30&ap=3Dpm&mo=3D5&d=3D2&y=3D20=
03&f=3DGB)

next broadcast: 02.05.03

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framework - phonography/field recording; contextual and decontextualized =
sound activity
presented by patrick mcginley

we began this edition with an intro recorded by chris watson, our =
favorite bbc sound recordist and ex-member of cabaret voltaire and the =
hafler trio.  if you haven't heard his two releases on touch, we highly =
recommend them.  you could also go and see him this thursday at the =
ica's cut and splice event, alongside francisco lopez (future framework =
appearance in the works) and gregg wagstaff.

over the next several editions we will be exploring some sounds by =
belgian composer ward weis, who has recently sent us an amazing amount =
of amazing material.  we began those explorations this week with his =
piece the tug, and then moved into several recent releases from u.s. =
label edition...  we finished off with a new 3" cd from erewhon by =
lionel marchetti, riss (l'avalanche).

this friday we will begin by looking at some more work by weis, as well =
as his collaborator and friend slavek kwi (artificial memory trace).  we =
will then be lucky enough to have french composer jean-luc guionnet =
(check out his releases on groundfault and a bruit secret, as well as =
his collaborations with eric cordier and afflux) performing live in the =
studio.  you could also go and see his band hubbub playing saturday =
night at conway hall in holborn.  this looks to be a very busy =
weekend...

again, we are always looking for material for the show, whether raw =
field recordings or field recording based composition.  send material, =
released or not, on any format, to the address below.   we are also =
hoping to have live performances as often as possible, so if you are in =
or passing through london please get in touch!=20

=20
framework
31 nevill road
london n16 8sl
uk

framework@xxxxxxxxxx

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02.05.03

(artist  /  title  /  album  /  label)

chris watson  /  framework intro
binaural recording inside his studio, where sounds from an upcoming =
touch release (!) can be heard in the background
chrisw@xxxxxxxxxxxxxx, =
http://www.touch.demon.co.uk/Biographies/chriswatson.html=20

ward weis  /  the tug  /  -  /  -
rhythmical structures made from four recordings taken on max couper's =
tugboat, pablo
wardweis@xxxxxxxx, http://users.skynet.be/planktone/ward/index.html

seth nehil  /  naos  /  umbra  /  edition...
spacious drones and organic textures on this new solo release
s_nehil@xxxxxxxxx, http://www.kaon.org/seth_nehil/pages/index2.htm

afflux  /  st martin-sur-mer  /  aizier st martin-sur-mer dieppe  /  =
edition...
recorded from their van on the beach the day after a storm; recording =
stopped when the tide got too high
http://editionellipsis.hypermart.net/

monos  /  sunny day  /  sunny day in saginomiya  /  edition...
darren tate and colin potter use field recordings taken in japan by =
daisuke suzuki
http://www.i-c-r.freeserve.co.uk/

jliat  /  bravo 18:45:00 28 february 1954 (gmt)  /  noise  /  edition...
cdep of recordings of nuclear tests in the 50's =
(http://nuketesting.enviroweb.org, www.tat.physik.uni-tuebingen.de)
james@xxxxxxxxxxxxxxxxx, http://www.jliat.demon.co.uk

lionel marchetti  /  riss (l'avalanche)  /  -  /  erewhon
15 minute piece of beautifully constructed musique concrete with french =
narration over brittle soundscapes
lmarchetti@xxxxxxxxxxxxxx, http://radiantslab.com/erewhon

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framework intro submissions:

1)    take yourself and an audio recording device to a location of your =
choice
2)    record for AT LEAST 1 minute before you -
3)    read the following text:

welcome to framework.

framework is a show consecrated to field recording, and it's use in =
composition.
field recording, phonography, the art of sound-hunting; open your ears =
and listen!

4)    continue your recording for AT LEAST 2 minutes after you've finish =
speaking
5)    send the recording on any format to the address above, or as an =
mp3 via email

thanks!
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