correction>tonight...[sf] us, warmdesk, dat p. and you

["under the radar" <analog_life@xxxxxxxxxxx>]

Sorry for the re-, cross-posting as always. There was a mistake on the last 
e-mail sent out:

TONIGHT: 5-13 is:

ANDERSON CONGRESS, THE LUXURY TAX & No. 0056
26Mix (mission, between 26th and ceaser chavez)
$3 Donation, 21+

AND

TUESDAY: 5-27 is:
WARMDESK / PIN-UP MOTEL + SPECIAL PEOPLE
26Mix (mission, between 26th and ceaser chavez)
$5, 21+

WARMDESK [deluxe records / fallt] : (LIVE)
warmdesk is the project of chicago-based producer william selman.
selman is a freelance multimedia designer who is currently studying
for a master's degree in computer science. the sound of warmdesk
combines dense, noisy harmonics and dub-like bass with rhythmic
patterns and samples from everyday life. the desire is to create a
multi-faceted "spray" of sound grounded by a pulse of beats and
concrete sounds--ideally, not too far from minimal techno and
tech-house. formerly a drummer, selman's strategy is to allow rhythm
to intuitively develop through repetition instead of the current
obsession with changing its timbre and structure every measure.

warmdesk has released material on several labels, including bip-hop,
static caravan and fallt. he is nearing completion on a full-length
cd for the well-regarded deluxe label (home of electric birds,
blechtum from blechdom and matmos's early endeavors).

PIN-UP MOTEL: (LIVE)
PIN-UP MOTEL is:
Dan Racanelli (Keyboards)
Jameson Edwards (Guitar, Vox, Keys)
Martin Przybyla (Guitar, Bass, Vox)
Alex Feldman (Drums)

ZYGOTE:(DJ'ing)
Stephen Ruiz (aka Zygote) uses the mechanized process of electronic
music production and combines the expression of complex human
feelings to create sound art. The tools of his output are computers,
tape recorders, wires and other conduits of noise. His sound
transcends the inhuman element of "technologically enhanced"
production methods so vital in the world of electronic music
producers, and in it's place submits raw and unfiltered emotion.
While exploring the idea of personal expression through the cold
exterior of machines, he takes the concepts of compositional
indeterminacy, generative music and evolving cellular automata and
humanizes them. The end result is populist music of emotional depth
that illicits response via technology. Having trained in percussion
and guitar, his compositional methods are rooted in structured
narrative that are constantly being mutated under the pressure of
new forms of expression.

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