16.05.03 - framework playlist

[". m u r m e r ." <murmer@xxxxxxxxxx>]

framework is broadcast alternate fridays on resonance fm 104.4 in london
(uk), or worldwide on www.resonancefm.com between 8:30 and 9:30pm gmt
(time zone converter:
http://www.worldtimeserver.com/?h=8&mn=30&ap=pm&mo=5&d=30&y=2003&f=GB)

next broadcast: 30.05.03

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framework - phonography/field recording; contextual and decontextualized
sound activity
presented by patrick mcginley

a framework intro from slavek kwi (aka artificial memory trace) this week,
then work by j. frede, new zealand's cmr label, and a mix of two tracks from
the twin releases on erewhon and intransitive by seth nehil/jgrzinich.  we
featured the most mysterious submission framework has had to date as well: a
hand painted cdr that appears to be by someone called squirrel manoeuvers,
no contact info, no note, no further details.  in fact 'no further details'
is exactly what it says on the disc.  it also says, 'please pass on to
someone else when you have finished listening,' so, in keeping with the
artist's wishes, the first person to send me an address gets it...

our next edition will feature the work of toby paddock, dallas simpson and
crawl unit, as well as an introduction recorded by the gentleman at erewhon.
hope you can tune in!

again, we are always looking for material for the show, whether raw field
recordings or field recording based composition.  send material, released or
not, on any format, to the address below.   we are also hoping to have live
performances as often as possible, so if you are in or passing through
london please get in touch!

framework
31 nevill road
london n16 8sl
uk

framework@xxxxxxxxxx

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16.05.03

(artist  /  title  /  album  /  label)

slavek kwi  /  framework intro
recorded in the garden on 19.03.03 with a very fortuitous fly
skwi@xxxxxxx, http://www.radiantslab.com/amt/about

j. frede  /  early morning distant train yard  /  -  /  -
raw recording made with an open air microphone in brussels, belgium,
november 2001

j. frede  /  82nm02  /  i-celestial-insect (compilation)  /  doctsect
minimal collage of minute treated and untreated recordings
jfrede@xxxxxxxxxxxxxxxxxx, http://ritualdocument.com/jfrede

kiyoshi mizutani  /  money offering box at a shrine, electric saw  /
yokasawa-iri  /  cmr
exactly as the title suggests, minimal collage of these two sound sources
and silence
mizutani@xxxxxxxxxxxxxx, http://www.kaon.org/kiyoshi_mizutani/index.php,
mail@xxxxxxxxx, www.cmr.co.nz

m. behrens  /  architectural commentary 3  /  architectural commentary  /
cmr
simple patterns and constructions of machine noises and tones
mbehrens@xxxxxxxxxxxxxxxxxxxxx, http://www.mbehrens.com, mail@xxxxxxxxx,
www.cmr.co.nz

jgrzinich / seth nehil  /  the distant edge  /  confluence  /  intransitive
melding of their group recording project with recordings of a demonstration
in belgrade
jgrzinich@xxxxxxxx, s_nehil@xxxxxxxxx, http://www.kaon.org,
http://www.intransitiverecordings.com

seth nehil / jgrzinich  /  the mirrored corner  /  stria  /  erewhon
group recordings and wire drones; mixed with the above track from stria's
counterpart on intransitive
s_nehil@xxxxxxxxx, jgrzinich@xxxxxxxx, http://www.kaon.org,
http://radiantslab.com/erewhon

squirrel manoeuvers  /  central business district  /  -  /  -
the mystery cd - urban recordings flow into low end rumbles and tones

john hudak  /  -  /  may 5  /  xzf
one long track of shimmering, pulsing, unchanging tones, source unknown
jhudak@xxxxxxxxx, http://www.johnhudak.net, labelmailing@xxxxxxxxxxxxxxx,
http://www.x-zf.net

climax golden twins  /  -  /  -  /  fire breathing turtle
untitled track on an untitled 3" cd of documentary and field recording
manipulation, from 1995
http://www.climaxgoldentwins.com

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framework intro submissions:

1)    take yourself and an audio recording device to a location of your
choice
2)    record for AT LEAST 1 minute before you -
3)    read the following text:

welcome to framework.

framework is a show consecrated to field recording, and it's use in
composition.
field recording, phonography, the art of sound-hunting; open your ears and
listen!

4)    continue your recording for AT LEAST 2 minutes after you've finish
speaking
5)    send the recording on any format to the address above, or as an mp3
via email

thanks!

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