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Re: [microsound] Re: funding in canada & cultural globalization
- To: microsound <microsound@xxxxxxxxxxxxx>
- Subject: Re: [microsound] Re: funding in canada & cultural globalization
- From: "the.kurtz.quartet" <kurtz@xxxxx>
- Date: Mon, 09 Jun 2003 23:30:50 +0200
It is not unusual that grants are given only to new real experimental stuff
that would be impossible otherwise.
If you look at the number of commercial CD-releases (by small record cos,
but still) within the electronic experimental/EA/microsound etc. it is
fairly obvious that this area can fund itself.
There are *lots* of artists in this area (look at the list projects for
example), much more than in experimental non-electronic music it seems. I
recently looked at the mp3.com lookalike "vitaminic" interenet-service (they
may be europe only) and "experimental" was the second biggest category after
the generic "techno"-category. Bigger than drums'n'bass and all the others.
Den 03-06-09 23.04, skrev "macrosound@xxxxxxxxxxxxx"
<macrosound@xxxxxxxxxxxxx>:
>>
>> Don't you need an "indie deal" before you can get a Factor grant?
>> and be an oppressed native 3rd generation lesbian married to a
>> bastard son of an interned Japanese ceramic maker with a degree
>> in Inuit totem pole studies?
>
> Ha! Hilarious. Getting college funding is the same (in the US).
>
>> yes...another entity is needed.
>>
>> things are growing and changing in this land that
>> just recently discovered electricity, computers
>> and music once our igloos thawed due to global
>> warming.
>>
>> sarcastic mode off-EH?
>>
>> kerry
>
> My question is if you have a computer and a job what the hell do you need
> money from some organization for? I admit, it would be nice to have a fat
> grant check to throw into some big project but it's not like you can't
> make music without external funding. I see a possible strain of hurt
> pride throughout these kind of endeavors. The "It's not fair" cry. Do we
> need recognition from some uptight farts that pretend they are being
> charitable by giving money to orchestras? Institutions have always been
> years behind the emerging artforms. It is their nature as bureacracies.
> Walls are torn down by visionaries and artists, institutions pick up the
> rubble and build another wall.
>
> just my humble opinion,
> e
>
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