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Re: [microsound] w(h)ither the past?



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>I do think that the idea of destroying/deconstructing past art in order
to
>create new works is very related to microsound. After all, isn't that
>what sampled music is all about?

Some of it, perhaps. But a lot of sample-based music is precisely about
preserving or worshipping the past, or at least not questioning it, like
all those "funky drummer" based tracks or whatever. A kind of
cryosonics; freezing the music of the past to make everything
simultaneously present. I guess that's "deconstructive" (in the pop
sense of the word) in its own way, but mostly as a byproduct.

And a lot of microsound seems not to refer to the past, or anything else
at all for that matter. 

Phil

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Phil Thomson 
http://www.sfu.ca/~pthomson/ 

Curator of c e n t i b e l 
http://centibel.vze.com/ 

moderator of Yahoo! databenders list 
http://groups.yahoo.com/group/databenders/ 

releases: 
klk007 (upcoming, klk, england)
synat (upcoming, acidfake, macedonia) 
scan (s'agita recordings, italy) 

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