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Re: [microsound] w(h)ither the past?
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>I do think that the idea of destroying/deconstructing past art in order
to
>create new works is very related to microsound. After all, isn't that
>what sampled music is all about?
Some of it, perhaps. But a lot of sample-based music is precisely about
preserving or worshipping the past, or at least not questioning it, like
all those "funky drummer" based tracks or whatever. A kind of
cryosonics; freezing the music of the past to make everything
simultaneously present. I guess that's "deconstructive" (in the pop
sense of the word) in its own way, but mostly as a byproduct.
And a lot of microsound seems not to refer to the past, or anything else
at all for that matter.
Phil
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Phil Thomson
http://www.sfu.ca/~pthomson/
Curator of c e n t i b e l
http://centibel.vze.com/
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releases:
klk007 (upcoming, klk, england)
synat (upcoming, acidfake, macedonia)
scan (s'agita recordings, italy)
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