27.06.03 - framework playlist

[". m u r m e r ." <murmer@xxxxxxxxxx>]

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framework is broadcast alternate fridays on resonance fm 104.4 in london =
(uk), or worldwide on http://www.resonancefm.com between 8:30 and 9:30pm =
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next broadcast: 11.07.03

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framework - phonography/field recording; contextual and decontextualized =
sound activity
presented by patrick mcginley

we spent most of this edition focused on the two new compilations from =
phonography.org, with a good 40-or-so minute mix of sounds from the two =
discs (the playlist order below is therefore the order in which the =
tracks were begun).  if you don't know, phonography.org is a discussion =
list and resource site (http://www.phonography.org) dedicated to the art =
of field recording that has now released 7 compilations:  5 (including =
these two) which feature exclusively untreated field recordings, and two =
which feature composition using field recordings.  if you trust my bias, =
these are all highly recommended, do check them out!

we also featured an untreated recording by meri von kleinsmid, some new =
work by toyisha tsunoda, as well as work by phil niblock, mendietan and =
an intro recorded by omnid.  i've just come back from 2 weeks in germany =
with stacks of new sounds, so we'll start working through those this =
friday.  and there's one last plug for a performance i'm involved with =
at hoxton hall (here in london) this week; if you're in town, please =
come down!  and i'm still looking for new intro submissions, details =
below...

again, we are always looking for material for the show, whether raw =
field recordings or field recording based composition.  send material, =
released or not, on any format, to the address below.   we are also =
hoping to have live performances as often as possible, so if you are in =
or passing through london please get in touch!=20

=20
framework
31 nevill road
london n16 8sl
uk

framework@xxxxxxxxxx

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27.06.03

(artist  /  title  /  album  /  label)

omnid  /  framework intro
a stroll through the park with albert casais, whose peach tree release =
was featured on our last edition
omnid@xxxxxxxxxxxxx, http://www.geocities.com/omnid2003/omnid2003.html=20

meri von kleinsmid  /  art museum  /  -  /  -
untreated recording capturing snippets of muted conversation and the air =
of an echoey room
mjvk@xxxxxxxxxxxxx, http://www.latibulum.com/mvk/

heath yonaites  /  expressway overpass girder  /  phonography.org 5  /  =
phonography.org

the beige channel  /  coffee with cat  /  phonography.org 4  /  =
phonography.org

mnortham  /  ancient sewer pipe, valletta, malta  /  phonography.org 5  =
/  phonography.org

the quiet american  /  donkey trains leaving marpha, nepal  /  =
phonography.org 4  /  phonography.org

steve barsotti  /  trainyard prescense  /  phonography.org 5  /  =
phonography.org

k. m. krebs  /  jericho sailing center (nautical gamelan)  /  =
phonography.org 4  /  phonography.org

dave knott  /  making fire with russ  /  phonography.org 5  /  =
phonography.org

murmer  /  buzzing intercom, gospel oak  /  phonography.org 4  /  =
phonography.org

jon tulchin  /  fly swarm  /  phonography.org 5  /  phonography.org

ben owen  /  slp23  /  phonography.org 4  /  phonography.org

s. arden hill  /  snowfall in december (recorded with tinfoil)  /  =
phonography.org 5  /  phonography.org

toby paddock  /  holly birds  /  phonography.org 4  /  phonography.org

for more information on these tracks, as well as contact info for the =
artists, see the phonography.org website (the track info might not be =
there yet, but it will be soon)
http://www.phonography.org

toyisha tsunoda  /  ttv installation  /  o respirar da paisagem  /  =
sirr.ecords
document of a gallery installation that involved the vibration of =
ordinary household objects via electro-magnetic switches
tsunoda@xxxxxxxxxxxxx, sirr-ecords@xxxxxxxxxxxxxxx, =
http://www.sirr-ecords.com

mendietan  /  arnieta I  /  mendietan  /  w.m.o/r
live environmental improvisation in the basque country with mattin and =
rosy parlane - sharp, oscillating sound transformation
mattin@xxxxxxx, http://www.mattin.org

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framework intro submissions:

1)    take yourself and an audio recording device to a location of your =
choice
2)    record for AT LEAST 1 minute before you -
3)    read the following text:

welcome to framework.

framework is a show consecrated to field recording, and it's use in =
composition.
field recording, phonography, the art of sound-hunting; open your ears =
and listen!

4)    continue your recording for AT LEAST 2 minutes after you've finish =
speaking
5)    send the recording on any format to the address above, or as an =
mp3 via email

thanks!

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a production by company URBA

live phonography by MURMER

choreography HELENE FORLOT

K.A.

July 10th & 11th, 8pm

Hoxton Hall
130 Hoxton Street, N1
booking:  020 7739 5431
www.hoxtonhall.co.uk
www.urbashows.com

With their latest creation, French company URBA and murmer propose the =
theme of the subconscious.  This is not a conceptual proposition.  We =
work with images that come to us either in dreams or through sensations =
and emotions of day to day life.  These images and movements have no =
prescribed explanation - their significance lies within our own =
subconscious.  The collage of image, sound and movement follow a =
non-narrative progression of tension and sensation; their repetition =
becomes hypnotic, and the audience enters into their ritual.

Abstracted video images are modified and presented as a sort of collage, =
inspired by or inspiring the creation of sonic material and dance.  The =
process for this creation was simple: from an initial idea, an =
image/sound/movement is presented spontaneously, automatically.  The =
sensations inspired by this are then used to produce supporting =
material.  This method is entirely reciprocal over the three axes of =
K.A.: video, sound and dance.  We create, in a sense, with a system of =
action/reaction, and speak of 'creation through impregnation'.

Working with found sounds and field recordings, murmur's sound work =
recalls our theme through the use of the subconscious sounds of our =
world.  By decontextualizing everyday sounds and using them =
compositionally to enhance and be enhanced by image and movement, K.A.'s =
sound leads the audience to a fresh listening of what we ignore every =
day.  Mechanical drones, traffic, or insects become the objects of our =
attention, at the same time familiar and unfamiliar.  A parallel is =
drawn between the world of photography (light writing) and phonography =
(sound writing):  with photography we frame an image that has caught our =
eye; with phonography we frame a sound that has caught our ear.

=A38 - full

=A36 - concessions

=A34 - Hoxton Hall members

..

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