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25.07.03 - framework playlist
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framework is broadcast alternate fridays on resonance fm 104.4 in london =
(uk), or worldwide on http://www.resonancefm.com between 8:30 and 9:30pm =
gmt=20
(time zone converter: =
http://www.worldtimeserver.com/?h=3D8&mn=3D30&ap=3Dpm&mo=3D8&d=3D8&y=3D20=
03&f=3DGB)
next broadcast: 08.08.03
RESONANCE FM IS RUN ALMOST ENTIRELY BY VOLUNTEERS. AS WE CELEBRATE OUT =
FIRST ANNIVERSARY, WE ARE ALSO SEEKING YOUR AID: PLEASE CONSIDER =
DONATING TO RESONANCE, OR PARTICIPATING IN OUR ONGOING AUCTION. CHECK =
OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: =
HTTP://WWW.RESONANCEFM.COM. THANK YOU!
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framework - phonography/field recording; contextual and decontextualized =
sound activity
presented by patrick mcginley
this edition was held together with a web of vlf (very low frequency) =
recordings from the second 'collection of earth's mysterious natural vlf =
radio phenomena' released by stephen p. mcgreevy. these are the =
stunning documents of earth's natural radio frequencies captured by =
mcgreevy's custom-built receivers - amazingly organic whistles, hums, =
crackles, rhythms, tones and drones. amongst this web were interweaved =
sounds by german composer and radio artist michael ruesenberg, steve =
roden, brandon labelle, and more, all set off with a framework intro =
recorded for us by one of our current favorite field recordists, toby =
paddock.
coming up in a few weeks time framework will be hosting a special live =
appearance by norwegian musicians tore honore boe and michael duch, both =
solo and in their duo incarnation as tacet ncv (and performing some live =
experiments with yours truly as well). this will take place during the =
clearspot slot (7:00-8:30pm) immediately preceding our usual slot on =
august 22nd, hence a special 2 1/2 hour framework! tore and michael =
will also be playing several gigs in london in the few days following =
their radio appearance - at sound 323, the bonnington centre and the hat =
on wall gallery (where i will join them as well); i will send those =
dates and details soon.
finally, thanks to all of you who came down to the first annual =
london.placard headphone festival - it was a greater success than any of =
us could have imagined, and we will definitely be doing it again!
this friday's edition will feature new work by jonathan coleclough, =
chris watson, osso exotico and more; hope you can tune in!
again, we are always looking for material for the show, whether raw =
field recordings, field recording based composition or submissions for =
our ongoing series of introductions (details below). send material, =
released or not, on any format, to the address below. we are also =
hoping to have live performances as often as possible, so if you are in =
or passing through london please get in touch!=20
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framework
31 nevill road
london n16 8sl
uk
framework@xxxxxxxxxx
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11.07.03
(artist / title / album / label)
toby paddock / framework intro
recorded in a thermal test lab, clinical hum and hiss and a vocal =
display of the lab's open space
tpaddock@xxxxxxxxxx, www.seanet.com/~tpaddock
stephen p. mcgreevy / - / auroral chorus II: the music of the =
magnetosphere / auroralchorus
june 1996 solar-minimum vlf expedition to alberta: 'beautiful sounding =
wavering tones and risers mimicking whale song and tropical birds'
http://www.auroralchorus.com
brandon labelle / speaking in tongues / automatic radio / fringes
'conflating "human speech" with "animal speech"' - human and animal =
vocal treatments, from an installation for bestiary, july 2000
http://www.kaon.org/brandon_labelle/index.php, blabelle@xxxxxxxxxxxxx, =
http://www.fringesrecordings.com
s. isabella / sunny-side up swordfish / unacknowledged pop-song =
collection vol. 666 (compilation) / xerxes
vaguely appropriate japanese cooking collage that i had to play because =
this strange compilation, appearing unannounced in the framework inbox, =
brought a very wide smile top my face
xerxes@xxxxxxxxxxxx, http://www5b.biglobe.ne.jp/~synchro/nnn.html
stephen p. mcgreevy / - / auroral chorus II: the music of the =
magnetosphere / auroralchorus
again from june 1996: 'nose-whistlers launched from lightning storms =
moving in to the area'
http://www.auroralchorus.com
michael ruesenberg / baldeney / essen momente / real ambient
stunningly collaged sounds of a hydro-electric power plant from =
ruesenberg's native essen
realambient@xxxxxxxxxxxxxxxxxxxxx, http://www.michael-ruesenberg.de
christian renou / anemone tube / - / transference / auf agweben
droning organic reworkings by renou of unidentifiable source material by =
anemone tube
brumerec@xxxxxxxxxxxxxxxx, anemonetube@xxxxxxxxxxxxxx, =
http://www.anemonetube.de, http://www.aufabwegen.com
stephen p. mcgreevy / - / auroral chorus II: the music of the =
magnetosphere / auroralchorus
august 1996, manitoba: 'interesting sounding bursts of low squawks and =
then higher pitched chirps in response'
http://www.auroralchorus.com
steve roden / - / winter couplet / new plastic music
two teacups resonating through 8 cardboard tubes, from an installation =
for the 2002 la freewaves festival in los angeles
sroden@xxxxxxxxxxxxxxxxxx, http://www.inbetweennoise.com
hidden / - / the quiet man's science / -
composed from television transmission interference by the head of =
germany's deafborn records
info@xxxxxxxxxxx, http://www.deafborn.de/hidden/
stephen p. mcgreevy / - / auroral chorus II: the music of the =
magnetosphere / auroralchorus
june 1998: 'lovely stereo recording of chorus...there is noticeable =
directional effects in the chorus elements, and...there is a lightning =
static burst generating a diffuse, hissy whistler'
http://www.auroralchorus.com
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framework intro submissions:
1) take yourself and an audio recording device to a location of your =
choice
2) record for AT LEAST 1 minute before you -
3) read the following text:
welcome to framework.
framework is a show consecrated to field recording, and it's use in =
composition.
field recording, phonography, the art of sound-hunting; open your ears =
and listen!
4) continue your recording for AT LEAST 2 minutes after you've finish =
speaking
5) send the recording on any format to the address above, or as an =
mp3 via email
thanks!
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