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31.10.03 - framework playlist
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framework is broadcast live alternate fridays on resonance fm 104.4 in =
london (uk), or worldwide on http://www.resonancefm.com between 8:30 and =
9:30pm gmt, and repeated the following wednesday between 11:00am and =
12:00 noon gmt
next live broadcast: 14.11.03
~ time zone converter: =
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2003&f=3DGB=20
RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE =
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framework - phonography/field recording; contextual and decontextualized =
sound activity
presented by patrick mcginley
two particularly interesting projects this edition, amongst plenty of =
other great sounds and a great nyc intro by gen ken montgomery. the =
first is a 3" disc of sounds recorded by rachel thompson and jonathan =
zorn as part of a project called 50 sound stories + 466 decibel =
readings. the final product is a 2-sided map of the twin cities - st =
paul and minneapolis, minnesota - one side of which locates 50 selected =
favorite local sounds (20 if which make up the cd) and tells their =
stories (and even suggests a number of potential 'soundwalks'), and the =
other side of which maps the cities in terms of their relative decibel =
readings taken throughout a grid of their geographies. the map is part =
of a series of 'knowledge maps' commissioned by the university of =
minnesota design institute as part of its twin cities design celebration =
2003. a fantastic project, great package, and really nice sounds to =
boot!
the second project we featured was one of a series of radio-specific =
pieces by american sound artist steve peters (whose book and cd =
here-ings we featured earlier this year) called sight specifics, in =
which he invites people to 'choose a site they'd like to visit and have =
them go their and record themselves describing that place, speaking in =
any style of language they choose. i usually then go there at another =
time to make my own field recordings, which may or may not be =
electronically processed. then i combine those sounds with their edited =
speaking to make an audio translation of the visual and emotional =
experience of that place as filtered through the perception of the =
participants.'
one more thing: it has come to my attention that one or two packages =
sent to me over the past few months have disappeared in the post (a =
problem undoubtedly exacerbated by the current postal strikes here in =
the uk). i am very careful to always contact people who have taken the =
effort to send something in, even if i can't use the material or won't =
be able to fit it into a show for quite some time, just to let them know =
their package has arrived safely. if you've sent something and haven't =
heard from me, please don't think it's been chucked in some pile in the =
corner and will never be heard of again, but contact me and let me know, =
and i can start hassling local post offices. things usually don't =
completely disappear without a trace, but we do get a lot of mail and =
some things do go missing...
again, we are always looking for material for the show, whether raw =
field recordings, field recording based composition or introduction =
submissions (details below). send material, released or not, on any =
format, to the address below. we are also hoping to have live =
performances as often as possible, so if you are in or passing through =
london please get in touch!=20
=20
framework
31 nevill road
london n16 8sl
uk
framework@xxxxxxxxxx
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31.10.03
this edition will be rebroadcast this wednesday, 05.11.03, at 11:00am =
gmt
~ time zone converter: =
http://www.worldtimeserver.com/?h=3D11&mn=3D00&ap=3Dam&mo=3D11&d=3D5&y=3D=
2003&f=3DGB
(artist / title / album / label)
gen ken montgomery / framework intro
entitled 'sounds of transportation, sound as transportation,' recorded =
july 19th at 29th st and west side highway, nyc - i quote: 'cars, =
planes, helicopters, boats, trucks, bikes, roller blades, joggers, all =
within 2 ears!'
http://home.earthlink.net/~kenmontgomery/
roel meelkop / garasu / 2 (kyoku) / staalplaat
sparse twisted unidentifiable sound sources, construction of scratching =
tones and silences
http://www.earlabs.org/thu20/thulid.asp?thulidID=3D2, =
http://www.staalplaat.com
rachel thompson & jonathan zorn / irene hixon whitney bridge
crystal court
kenwood park
nicollet mall
calhoun parkway, at =
xerxes ave. s.
walker art center
eloise butler =
wildflower garden / 20 field recordings / -
these selections make the finale of this piece - they, like the whole =
cd, are worked together into one long shifting tour of the twin cities
http://design.umn.edu/, jzorn@xxxxxxxxxxxx
colin potter & phil mouldycliff / - / shellfish in kettleblack / =
icr
untitled 2nd track of drones from what sounds like electronic & radio =
interference
http://www.i-c-r.freeserve.co.uk/
marcelo radulovich / section 2 / 2 brains / accretions
a 2 cd release, one disc being a mix of instrumentation, song-writing, =
samples and field recordings, the other (from which this piece is =
taken), being untreated (but nicely composed) field recording collages
http://www.accretions.com
ward weis / between two worlds / zeige deine wunde / -
short fragment of explosive sound (a flock taking flight?) from this =
'opera fro sounds and music' performed in an abandoned fortress in =
antwerp
wardweis@xxxxxxxx, http://users.skynet.be/planktone/ward/index.html
steve peters / sight specifics: miami / - / -
this example is a description of a swampy lagoon on the outskirts of =
miami, florida, featuring the descriptions of composer gustavo matamoros =
(in spanish) and sculptor teresita fernandez (in english).
nonseq@xxxxxxxx
lee patterson / sparklers / heatworks / new acoustical pleasures
beautiful crackles and bell-like sounds from contact mic recordings of =
indoor and outdoor sparklers
gleepatterson@xxxxxxxxxxx, http://www.newacousticalpleasures.com
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framework intro submissions:
1) take yourself and an audio recording device to a location of your =
choice
2) record for AT LEAST 1 minute before you -
3) read the following text:
welcome to framework.
framework is a show consecrated to field recording, and it's use in =
composition.
field recording, phonography, the art of sound-hunting; open your ears =
and listen!
4) continue your recording for AT LEAST 2 minutes after you've finish =
speaking
5) send the recording on any format to the address above, or as an =
mp3 via email
thanks!
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