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Re: [microsound] SUNDAY!! Trevor Wishart at CalArts
I saw him in Berlin in 1998 - excellent!
----- Original Message -----
From: Richard Zvonar
To: microsound@xxxxxxxxxxxxx ; cecdiscuss@xxxxxxxxxxxx ; emusic@xxxxxxxxxxx
Sent: Wednesday, January 28, 2004 2:21 AM
Subject: [microsound] SUNDAY!! Trevor Wishart at CalArts
==============================================================
The making of IMAGO
and
Demonstration of SOUND LOOM software
by Trevor WISHART
==============================================================
In conjunction with his January 31st performance at REDCAT (as part
of the CalArts CEAIT Festival) English composer TREVOR WISHART will
discuss the making of his electroacoustic piece IMAGO.
Organized by American Composers Forum Technology Program
California Institute of the Arts
24700 McBean Parkway
Valencia, CA 90291
Room A116 - two floors below main entrance (follow the signs)
Sunday, FEBRUARY 01, 2004, 3:00-5:00 PM
$10 admission*
*no charge for CalArts community
==================================================
IMAGO, 16-channel, live diffused playback of piece that explores
sound metamorphosis in which the single clink of two wine-glasses is
used to generate a whole world of other sounds, from instruments to
suggestions of birdsong, a strange gamelan, the sea and the human
voice itself.
Trevor Wishart (b. 1946) (www.trevorwishart.co.uk) is an independent
composer living and working in the North of England. He is currently
an Honorary Professor at the University of York. Committed to new
approaches to music making, he has developed many new instruments (as
signal processing software) for musical composition, is a founder
member of the "Composer's Desktop Project", a composers' cooperative,
and author of On Sonic Art and Audible Design.
For information on TREVOR WISHART and his work, see:
http://www.trevorwishart.co.uk
For information on (and the latest download of) the SOUND LOOM software, see:
http://www.trevorwishart.co.uk/slfull.html
For information on CEAIT Festival and REDCAT, see:
http://redcatweb.org/season/music/ceait.html
==================================================
TREVOR WISHART (b.1946) is an independent composer living and working
in the North of England. He has held residencies or visiting
professorships in Australia, Canada, Holland, Sweden, and the USA and
at the Universities of Cambridge, Birmingham, Nottingham and Leeds in
the UK. He is currently an Honorary Professor at the University of
York.
His most well-known works include Red Bird (1977), awarded a Euphonie
d'Or at the 1992 Bourges Festival, the Vox cycle (1980-88) first
heard in full at the 1989 Proms, and Tongues Of Fire, winner of the
Golden Nica for computer music at the Linz Ars Electronica Festival,
1995. His work has been commissioned by IRCAM, the Paris Biennale,
the Massachusetts Council for the Arts and Humanities, the DAAD in
Berlin, the French Ministry of Culture and the BBC Proms.
Committed to new approaches to music making, he has developed many
new instruments (as signal processing software) for musical
composition, is a founder member of the "Composer's Desktop
Project", a composers cooperative, and author of On Sonic Art and
Audible Design.
In addition he is well known for his pioneering work in taking
music out of conventional venues into public open spaces, youth
clubs, schools and other community venues, and developing workshop
techniques to encourage others to develop their creative potential.
The Sounds Fun books of musical games have subsequently been
republished in Japanese. In the year 2000, Birthrite, a Fleeting
Opera (with Max Couper and Tom Sapsford) was presented on moving
barges on the Thames with performers from the Royal Opera House and
Royal Ballet. He was also the sound designer for the Jorvik Viking
Centre (York), the first multimedia museum installation in the UK.
--
______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com