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Re: [microsound] Louder But Silence



I believe that it is necessary to consider musical silence as a ~(~directive) form of discourse within a music context. The derived investigation is thus (generally): What is the validity of contemporaneous forms of discourse (musical activities) relative to a music context?

Furthermore, I believe that this question may be explored by analysis of the syntactical, formal, and social systems present in a form of discourse. This route of questioning can be used as a tool in order to *elucidate* a work's self-reflexivity, utilitarianism, and expressive devices; meanwhile shedding light upon structural and class relations.


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