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Re: [microsound] sampling/concepts (was projects)



A field recording could simply comprise of a microphone infront of a speaker, playing a copywrited pop mp3 (or sine wave).


i think that field recordings are significantly different, content-wise,
from sine waves. i'd say that they're not that different from 'musical'
samples, in that they often evoke a kind of nostalgia, though from a
personal rather than a 'pop' context.

>> Aren't field recordings as basic in content as a sinewave (or as
>> constructed)?

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