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Re: [microsound] projects
My situation, if I can contribute, is to start from a sample, a very
long sample (even 40 min.) of radio signal.
I try to "correct" the sample as a sort of restoration, trying to
save and take out the inherent musicality.
I do lots of work on a sample (it's actually better to use the word
"recording", here), nevertheless, if you compare it with the original
one you can easily find it, maybe covered by noise...
This is kind of between field recording (no mix at all among
recordings) and creative use of samples to create new music... I like
to think my work as (sober) painting on photos...
massimiliano
when i think of sampling, i DO think of starting with a finished
piece. whether it is an mp3 or a recording you made by attaching
your md recorder to the headphone jack of your amp as you play some
rare lps you found at a thrift store. the new piece starts when the
artists starts working with mp3.
field recording however is part of the creation of the new piece
because how the sounds are recorded is as important as the
processing and composition.
Sampling doesn't necessarily refer to a finished piece
of work: as Trace implies, field recording is a form of sampling too. You're
just sampling nature. tV
--
M a s s i m i l i a n o V i e l
http://www.maxviel.it
http://www.otolab.net/projects/sn/index.htm
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