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Re: [microsound] High sampling rates/Bit depths
I wrote:
There are reports of physiological responses to ultrasound (in bone
structure, etc).
John Nowak:
If you know anywhere I could read about such loveliness, I'd appreciate it.
As one of many examples: www.engineering.vcu.edu/fac/Lenhardt/lenultra.html
JN:
I'd suspect the number of tracks you'd want to have a range greater than
96dB are incredibly limited. Very rarely would you want to go from a
whisper to pain-inducing... For playback, 24-bit audio is not going to give
any benefit over a properly dithered 16-bit recording
Listen closely to the noise, distortion, and sound dropoff in fadeout tails
in 16-bit at high volume (as you might have in a concert situation). And
it's quite common to find pieces of experimental music that are
predominantly below, say, -20 dB, perhaps with a couple of transients that
spike up near 0, and then most of the audio is effectively not at 16-bit
resolution- more like 12. I've seen some pieces that are almost entirely
below -48 dB, which is 8-bit audio! Proper dithering can get you about 3
extra bits at the cost of a bit of noise, but at 24-bit, there's just a lot
more room to manoeuvre, especially if you're working with unusual materials,
dynamics, or frequencies, as is the case with many artists on this list.
JN:
99% of people are happy with properly encoded AAC/MP3 files, so I really
don't think the DVD-audio thing will ever catch on. I suppose I should
never underestimate capitalism's ability to make people want what they
don't need though...
People still go to the cinema, even though they're happy with their telly,
if the analogy makes any sense. Or maybe they watch CNN on the old Hitachi,
but watch Apocalypse Now on the home theater. MP3 may work fine in a lot of
situations, but I think many listeners know there's a difference.
best,
Ian
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