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Re: [microsound] sad songs
y'know, i think mood is important...
but i understand where matt is coming from when he says "spirit." since i
think most of us are creating instrumental music, the overall tone becomes
more subjective, there's no voice telling us what we should be thinking. at
the same time, an album like "endless summer" carries a definite warmth to
it, and i think that "spirit" of the music (as well as it's title) can
translate into a certain mood, the same way a brinkmann piece might sound
colder, or more sparse, and thus we translate that in to a sad or dark
mood...
now, to me, microsound's at it's best when the tonalities aren't totally
alien. i love when i hear some new tracks people are making and the sources
are vaguely reminiscent of something, instrumentally or otherwise because
there's that hint of familiarity--
so with this familiarity idea, i'm currently making tracks based on bad
photographs, blurry, accidental, overexposed, etc. i'm hoping that by
leaving hints of my source material, i can carry this "spirit" idea without
getting overly involved with setting a "mood"
that's just my two cents...
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