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Re: [microsound] Re: microsound Digest 16 Jan 2005 00:39:36 -0000 Issue 1331



Sometime this year, a rather substantive piece on Spooky and _Rhythm
Science_ will (hopefully) be available on
http://www.electronicbookreview.com in the Music Sound Noise thread.

cheers, tobias

> Try also DJ Spooky -Rhythm Science (the book, not the album)
> 
> 
> At 12:39 am +0000 16/1/05, microsound-digest-help@xxxxxxxxxxxxx wrote:
>> Date: Sat, 15 Jan 2005 17:50:05 -0500
>> To: Microsound <microsound@xxxxxxxxxxxxx>
>> From: "tobias c. van Veen" <tobias@xxxxxxxxx>
>> Subject: The Turntable - Charles Mudede
>> Message-ID: <BE0F084D.1A2CC%tobias@xxxxxxxxx>
>> 
>> The Turntable
>> Charles Mudede
>> 
>>    
>>     http://www.ctheory.net/text_file.asp?pick=382
>> 
>> "Scratch 1
>> 
>> The line between electronic and live music is unbroken. The forms may appear
>> impressively distinct but they are organized around the same act: playing a
>> musical instrument (a keyboard, drum pads, so on). In electronic music --
>> which finds its most popular moment in the '70s, German band Kraftwerk -- a
>> musician plays a musical instrument and is concerned about, for instance,
>> the key he/she is playing in. This is not the case with hiphop. Hiphop is
>> organized around the act of replaying music; and it is this act, replaying,
>> that marks the real rupture in the mode or method of production."
>> 
>> [...]
>> 
>> tobias c. van Veen -----------++++
>> http://www.quadrantcrossing.org --
>> http://www.thisistheonlyart.com --
>> McGill Communication + Philosophy
>> ICQ: 18766209 | AIM: thesaibot +++
> 



tobias c. van Veen -----------++++
http://www.quadrantcrossing.org --
http://www.thisistheonlyart.com --
McGill Communication + Philosophy
ICQ: 18766209 | AIM: thesaibot +++ 


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