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[microsound] Origin, Process or Outcome
This is one of those discussions where I am sure points will be raised from
both camps > but I'm interested in what points are raised and why....
In terms of 'Microsound' - as a genre/a sound philosophy/an
affiliation...... already points are being raised....
What determines that a piece of music or a sound is 'Microsound'?
Is it where it came from - the origin?
Is it the way it was treated, changed or arranged - the process?
Is it the way it sounds when it is finished - the outcome?
David @ Audiobulb
www.audiobulb.com
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