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RE: [microsound] Portable audio codecs w surround?



Yeah, the aac-48 channel bit is quite cool....only ever got up to 16
channels use myself....if you're interested in surround sound I'd recommend
the surround sound mail list at:
mail.music.vt.edu/mailman/listinfo/sursound
lots of discussion, beyond surround sound as well...
www.ambisonic.net/sursound.html
has good discussions/info on ambisonics, and links to vsti's of
surround/ambisonic plugins(mostly free)
and
forum.doom9.org
has lots of info regarding tools setups etc....
Bidule (www.plogue.com) is a good modular environment(winxp & macOSX) that
supports multichannel recording.....


//*-----Original Message-----
//*From: Mr.D [mailto:craque@xxxxxxxxxx]
//*Sent: Wednesday, June 22, 2005 11:18 AM
//*To: microsound
//*Subject: Re: [microsound] Portable audio codecs w surround?
//*
//*Ah thanks for the clarification on the formats! I feel greatly
//*enlightened.
//*
//*And I had no idea about AAC's capabilities, that's very cool.
//*
//*On Jun 22, 2005, at 7:10 AM, Michael North wrote:
//*
//*>
//*> The following is from the MS site ....but I've used it, and it
//*> works....
//*>
//*> Windows Media Audio 9 Professional, is a great match for high-fidelity
//*> hardware and computer with 5.1 channel surround sound. It captures
//*> full-resolution audio (24-bit/96-kHz sampling) in stereo or 5.1
//*> channel (and
//*> even 7.1 channel) surround sound for streaming or download-and-play
//*> delivery
//*> at 128 to 768 Kbps
//*>
//*> Had it wrong on the apple ac3(shouldn't answer emails without enough
//*> sleeptime)...meant AAC | MPEG-4...from their site, the following/
//*> also have
//*> used it and it worked....
//*>
//*> When compared side-by-side, AAC proves itself worthy of replacing
//*> MP3 as the
//*> new Internet audio standard. Take a look at these AAC advantages
//*> over MP3:
//*>
//*>     * Improved compression provides higher-quality results with
//*> smaller file
//*> sizes
//*>     * Support for multichannel audio, providing up to 48 full
//*> frequency
//*> channels
//*>     * Higher resolution audio, yielding sampling rates up to 96 kHz
//*>     * Improved decoding efficiency, requiring less processing power
//*> for
//*> decode
//*>
//*> Real Audio also uses AAC and is as well capable of multi-channel
//*> sound, have
//*> used it and it worked.........................
//*>
//*>
//*>
//*>
//*> //*-----Original Message-----
//*> //*From: Mr.D [mailto:craque@xxxxxxxxxx]
//*> //*Sent: Tuesday, June 21, 2005 12:31 PM
//*> //*To: microsound
//*> //*Subject: Re: [microsound] Portable audio codecs w surround?
//*> //*
//*> //*AC3 is Dolby Digital, not Apple. So naturally, it does surround.
//*> //*
//*> //*Apple's lossless implementation is m4a, MPEG layer 4, the audio
//*> //*portion of an MPEG 4 movie. To my knowledge, it's dual channel
//*> only.
//*> //*That goes for WMA and RealAudio too, AFAIK.
//*> //*
//*> //*You may want to look into flac, which has multi-channel support; I
//*> //*believe there is some work being done on the surround sound
//*> //*capabilities of flac. http://flac.sourceforge.net/
//*> //*
//*> //*matt
//*> //*
//*> //*On Jun 21, 2005, at 10:53 AM, Michael North wrote:
//*> //*
//*> //*> Franhoeffer(?) have released a surround mp3 encoder....is beta
//*> and
//*> //*> only does
//*> //*> 192k....but you can do surround in apples ac3, ms wma and real
//*> ra as
//*> //*> well.....................
//*> //*>
//*> //*> //*-----Original Message-----
//*> //*> //*From: Kassen [mailto:kassen@xxxxxxxxxxxxxx]
//*> //*> //*Sent: Tuesday, June 21, 2005 8:54 AM
//*> //*> //*To: microsound
//*> //*> //*Subject: Re: [microsound] Portable audio codecs w surround?
//*> //*> //*
//*> //*> //*Adam Young
//*> //*> //*
//*> //*> //*> I'm new to the surround sound game.. I was wondering if
//*> there
//*> //*> are any
//*> //*> //*> MP3-like audio codecs that support surround sound in a
//*> //*> portable format
//*> //*> //*like
//*> //*> //*> MP3s that can be downloaded and played with a player, etc.
//*> //*> //*
//*> //*> //*Somebody correct me if I´m wrong, but I believe codecs like
//*> mp3
//*> //*> tend to
//*> //*> //*lose
//*> //*> //*the phase relations of the material. I think the more simple
//*> //*> strategies
//*> //*> //*for
//*> //*> //*surround depend on those which would mean encoding will spoil
//*> //*> the fun.
//*> //*> //*
//*> //*> //*Depending on your aplication you could work with multiple
//*> //*> paralel files?
//*> //*> //*
//*> //*> //*Kas.
//*> //*> //*
//*> //*> //*
//*> //*> //*
//*> //*> //
//*> //*>
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//*> //*> //*For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
//*> //*> //*website: http://www.microsound.org
//*> //*>
//*> //*>
//*> //*>
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//*> //*> For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
//*> //*> website: http://www.microsound.org
//*> //*>
//*> //*>
//*> //*
//*> //*
//*> //
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//*> //*For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
//*> //*website: http://www.microsound.org
//*>
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//*
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