Re: [microsound] RE: summertime project?

[chris mcnamara <mcnafong@xxxxxxxx>]

Perhaps this should be responded to in a myriad of ways. 
Indoors/outdoors with field sounds, with sounds mixed from real nature 
or a combination of these and other variables.

Agreed that some cities will be less conducive to doing outdoor 
performances. That said, the elevated trains sound different in the 
summer than they do in the Winter, right? Who's to say a field 
recording can't be made and then sampled later?

ciao

Chris
On Jun 18, 2005, at 9:35 PM, David Powers wrote:

> While I appreciate the sentiment of performing outside - some of us 
> living in cities may not be able to do this easily, in Chicago it 
> would require buying a license to perform and then there are still 
> limits to where one can play.  I don't really want to buy a license 
> from the city just to participate in this project!  And they will 
> definitely ticket unlicensed performers.
>
> ~David
>
> Scott Carver wrote:
>
> > In the interest of being outside and actually appreciating summer 
> > while it's around, what about something performed live, outside, 
> > perhaps using sounds from the location of performance? Pick a outdoor 
> > location and a time (hopefully a time when it's appropriately 
> > summer-ish), and perform a piece, in whatever sense of 'perform' is 
> > appropriate and interesting. Screw sitting around in my house with 
> > headphones on, if I'm going to do a summer project, I want to make 
> > sounds so inextricably entangled with summer they can't be separated, 
> > summer and sound pouring into each other until the mixture is 
> > impossible to separate.
> >
> > - Scott C.
> >
> >
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