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Re: [microsound] RE: summertime project?
Perhaps this should be responded to in a myriad of ways.
Indoors/outdoors with field sounds, with sounds mixed from real nature
or a combination of these and other variables.
Agreed that some cities will be less conducive to doing outdoor
performances. That said, the elevated trains sound different in the
summer than they do in the Winter, right? Who's to say a field
recording can't be made and then sampled later?
ciao
Chris
On Jun 18, 2005, at 9:35 PM, David Powers wrote:
While I appreciate the sentiment of performing outside - some of us
living in cities may not be able to do this easily, in Chicago it
would require buying a license to perform and then there are still
limits to where one can play. I don't really want to buy a license
from the city just to participate in this project! And they will
definitely ticket unlicensed performers.
~David
Scott Carver wrote:
In the interest of being outside and actually appreciating summer
while it's around, what about something performed live, outside,
perhaps using sounds from the location of performance? Pick a outdoor
location and a time (hopefully a time when it's appropriately
summer-ish), and perform a piece, in whatever sense of 'perform' is
appropriate and interesting. Screw sitting around in my house with
headphones on, if I'm going to do a summer project, I want to make
sounds so inextricably entangled with summer they can't be separated,
summer and sound pouring into each other until the mixture is
impossible to separate.
- Scott C.
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