Re: [microsound] Derivative Music

[roberth <roberth@xxxxxxxxxx>]

blues was the ultimate modular
Derivative Music
r
----- Original Message ----- 
From: "mat.the.w" <craque@xxxxxxxxxx>
To: <microsound@xxxxxxxxxxxxx>
Sent: Tuesday, February 21, 2006 9:29 AM
Subject: Re: [microsound] Derivative Music


The problem is that you can say this about pretty much any music. There are
countless style progressions and a very rich musicological heritage shared
amongst musical 'genres', as far back as the first composers began imitating
one another.

You've touched on more of a meta-description of artistic development, in my
eyes. Maybe something more descriptive of the style itself would make more
sense?

On 2/21/06 9:21 AM, "Risonanza Magnetica - S" <s@xxxxxxxxxxxxxxxxxxxxxxx>
scribed:

> Hi everybody,
>
> I'd like to suggest you what do you think about the concept of
> "derivative music".
> I'm considering this in the field of post-punk, specifically referred
> to the the post-punk scene in Sao Paulo, Brasil, during the eighties,
> as "derivative" of No Wave scene in New York.
>
> This concept should be valid also for a bigger part of electronic
> music field, i'd like to know if someone knows about a specific study
> on thisS
>
> Thanks,
> Simone B
>
>
> --
> Risonanza Magnetica
> http://www.risonanza-magnetica.com
> info@xxxxxxxxxxxxxxxxxxxxxxx
> Tel +39 0523 713363
> Mob +39 328 8619930
> --
>
>
>
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