this list was cut and pasted from post by Peter Castine to the Max/
MSP list...I thought I'd post it here in case some people might find
it useful...maybe some industrious soul can start a microsound Wiki
page and we can add to it?
thanks
KIM
> and set theory...
>
> Here is the recommended reading list from a seminar I gave on this
> a few years back.
>
> Lehrbücher
> Forte, Allen. The Structure of Atonal Music. New Haven, Conn.: Yale
> University Press, 1973.
> Morris, Robert D. Class Notes for Atonal Music Theory. Hanover, New
> Hamphsire: Forg Peak Music, 1991.
> Morris, Robert D. Composition with Pitch-Classes. New Haven: Yale
> University Press, 1987.
> Rahn, John. Basic Atonal Theory. New York: Schirmer Books, 1980.
>
> Weitere Literature
> Alphonce, Bo Harry. "The Invariance Matrix." Ph.D. dissertation,
> Yale University, 1974.
> Babbitt, Milton. "Set Strucuture as a Compositional Determinant."
> JMT 5, no. 2 (1961): 72-94.
> Babbitt, Milton. "Some Aspects of Twelve-Tone Composition." 12
> (1955): 53-61.
> Babbitt, Milton. "Twelve-Tone Invariants as Compositional
> Determinants." MQ 46, no. 2 (1960): 246-59.
> Chrisman, Richard. "Identification and Correlation of Pitch-Sets."
> JMT 15, no. 1 and 2 (1971): 58-83.
> Clough, John. "Diatonic Interval Sets and Transformational
> Structures." PNM 18, no. 1&2 (1979): 461-482.
> Clough, John. "Pitch-Set Equivalence and Inclusion (A Comment on
> Forte's Theory of Set-Complexes)." JMT 9, no. 1 (1965): 163-71.
> Forte, Allen. "Sets and Non-Sets in Schoenberg's Atonal Music." PNM
> 11, no. 2 (1972): 43-64.
> Forte, Allen. "The structure of atonal music: Practical aspects of
> a computer-oriented research project." In Musicology and the
> Computer. Musicology 1966-2000: A Practical Program. Three
> Symposia. New York: American Musicological Society, 1970.
> Hanson, Howard. Harmonic Materials of Modern Music: Resources of
> the Tempered Scale. New York: Appleton-Century-Crofts, 1960.
> Lewin, David. "Forte's interval vector, my interval function, and
> Regener's common-note function." JMT 21, no. 2 (1977): 194-237.
> Lewin, David. Generalized Musical Intervals and Transformations.
> New Haven, Conn.: Yale University, 1987.
> Lewin, David. "Klumpenhouwer networks and some isographies that
> involve them." Spectrum 12, no. 1 (1990): 83-120.
> Lewin, David. "A response to a response: On pcset relatedness." PNM
> 18 (1979): 498-502.
> Martino, Donald. "The source-set and its aggregate formations." JMT
> 5, no. 2 (1961): 224-73.
> Perle, George. Serial Composition and Atonality: An Introduction to
> the Music of Schoenberg, Berg, and Webern. 3rd ed. Los Angeles,
> California: University of California Press, 1972.
> Rogers, John. "Some properties of non-duplicating rotational
> arrays." PNM 7, no. 1 (1968): 80-102.
> Starr, Daniel, and Robert D. Morris. "A general theory of
> combinatoriality and the aggregate." PNM 16, no. 1 (1977): 3-35.
> Wintle, Christopher. "Milton Babbitt's Semi-Simple Variations." PNM
> 14, no. 2 and 15:1 (1976): 111-54.
>
>
>> geometry
>>
>
> Dmittri Tymoczko's "Geometry of Music" article in Sciene 313 pp
> 72-74 (2006) and Guerino Mazzola's book "Die Geometrie der
> Musik" (in an expanded English edition published under the title
> 'Topos of Music').
>
> Hope that's something to get you started.
>
---------------------------------------------------------------------
To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
website: http://www.microsound.org