Re: [microsound] momus and glitch

[Kyle Klipowicz <kyleklip@xxxxxxxxx>]

Yes, I've also experimented quite a bit with some of the radio dramas in my
podcast, The Radio Project.  I really wanted to sound like an old timey
golden age show, so I used all sorts of these techniques:  EQ, compression,
noise, sampling of old sound sources at their "quiet" moments, and even a
great free plugin from iZotope that does a good job for lots of things.

I wish I could afford to record to wax cylinder or 78 rpm shellac and then
resample, but I'm fresh out of college and don't have that cash!

~Kyle

On 11/10/06, ニコラス・ケント <ndkent@xxxxxxxxxxxxx> wrote:
>
>
> For what it's worth, I myself come from a film music background (with
> a short career in non-musical film sound during the mid 1980s). I
> very much see this specific example in relation to the standard
> telephone filter "effect" or recipe. That is to EQ a sound, primarily
> voice and mix in audio sound effects to simulate the origin of
> normally recorded material, be it telephone, CB Radio, or old record.
>
> >
> > Btw: it would be very interesting to write a cultural history of said
> > Korg D-12 patch "Analog crackle". Any starting points?
>
> Well from a technological history standpoint I first encountered a
> commercial tool like that in the 1998 release of Opcode's Fusion
> Vinyl plugin. On the other hand, it didn't meet my standards when I
> needed the "authenticity" of a 78 disk. So after getting it on some
> sort of discount deal and trying it I then wound up having to rig up
> a 78 turntable and examining shellac discs for long lead outs to
> compile into a track to be mixed with an EQed and compressed original.
>

-- 

http://theradioproject.com
http://perhapsidid.blogspot.com

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