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Re: [microsound] formulaic microsound



Yes I agree this is a way forward - and then it again becomes a matter of 
taste and champions as to what works and has impact and what does not.


David Newman
Audiobulb Records

http://www.audiobulb.com
http://www.audiobulb.com/ab-shop.htm
http://www.myspace.com/audiobulb

----- Original Message ----- 
From: "Graham Miller" <grahammiller@xxxxxxxxxxxx>
To: "microsound" <microsound@xxxxxxxxxxxxx>
Sent: Thursday, February 07, 2008 3:26 PM
Subject: Re: [microsound] formulaic microsound



On 6-Feb-08, at 5:39 PM, David @ Audiobulb wrote:

> Music has a history of creating structures that reflect an acceptable
> aesthetic framework. From classical to rock. From jazz to IDM.
> Sounds are
> placed within a composition and ultimate arrangements emerge.
>
> At what point do the originators of a style and the creative
> champions of
> style exhaust the potential expression to the point that what
> follows could
> be described as formulaic - working from a template.
>
> To what extent has this already occurred within microsound? Small
> field
> elements extrapolated and stretched across minimal drones of noise
> with
> underlying subtle textures developing and diffusing to the end point.
>
> What enables the work in this genre/style to stay invigorated?

hybridization with other genres, if one were to apply the genetics/
mutation/evolution analogy.

>
>
> David Newman
> Audiobulb Records
>
> http://www.audiobulb.com
> http://www.audiobulb.com/ab-shop.htm
> http://www.myspace.com/audiobulb
>
>
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