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Re: [microsound] texture as narrative



 has anyone out there dealt with this issue and found what it is that makes
 monochromatic material 'interesting' over long periods of time?
 (sorry if this isn't clear I'm still waiting for the black tea to kick in)
 KIM

unpredictability.


definitely..

i think also that sound design is incredibly important.. the sounds have to SUGGEST more than what's there.. leaving a lot of room for listener imagination...

also, if done right, repetition can be very hypnotic.. which captures the listener as wel...



taylor,

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taylor deupree/12k
taylor@xxxxxxx
http://www.12k.com

OUT NOW:
taylor deupree + richard chartier "spec." (12k1007)
taylor deupree "gen.sec" on 'ambient systems limited edition' (instinct)

OUT SOON:
taylor deupree (full length CD) (12k1008) (winter.99-00)
taylor deupree untitled 12" EP (audio.nl / netherlands)
taylor deupree remixing Goem on "extensie" (goem remix CD)
taylor deupree: kim cascone "bubblewarp" remix, on "blue cubism" (digital narcis/japan)
futique "go.low" (shadow records, 2000)