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re: oh...
At Mon, 8 May 2000 00:34:24 -0700, "patrick halbig" <phalbig@xxxxxxxxxxxxx>
wrote:
did anyone else:
1) find the 20' to 2000 'campaign' ridiculous
I haven't really kept tabs on these releases or the marketing of them, but
I think a real "crisis" of conceptual art in the 90s was this feeling that
people weren't trying to challenge or experiment, just get attention for
themselves. Because of this I'm often a bit wary to point the finger,
because, well, it just seems like the default option that's been ingrained
from growing up in these times. "This is such an obvious gimmick"... I try
to think what else it might mean or see it in as many ways as possible.
Well, to be honest, only if I care about the thing in question at all :-)
If not I try to avoid comment.
2) find the concept of 'limited release' remarkably
compatible with other forms of bourgeois consumption
(Lafite, Daumier prints, rare Adorno text)
Yeah, I find it very easy to see it that way, despite having found out that
I unwittingly contributed to it myself by releasing a number of CDs I
thought made economic sense.
People have bemoaned the presentation of an object that is up for purchase
as a perpetuation of "bourgeois consumption" for a good 80 years. Making
the step from ,say, a painting, to a CD isn't exactly a stretch. On the
flip side, trying to critique or smash that down can be seen as a bourgeois
concern ("you have the luxury of stopping to think about how art
functions?"). I find both views great fun to mull over, and easy to get
enthused about, but want to hedge any comment on either with a million
qualifiers.
Something I've been wondering recently: what method of getting music to an
audience is not compatible with "forms of bourgeois consumption"?
Preferable for most creators of music would be something that allowed for
some kind of documentation of the music, ie. not just standing in the
streets making noises as passers-by.
I think, when you throw the concept "bourgeois" as wide as, say,
"privileged few who maintain the hegemony" (and that's how I'd use the
term) you're damn near fucked. Computers are a joke - what proportion of
the world's population has even used a phone?
Bla bla.. just something to think about, and to be taken as seriously as
you feel inclined.
Michael
np. '3' - Maus und Stolle (not very this-listy, but never mind)
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