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Re: [microsound] arovane
At 01:25 AM 5/25/00 -0700, "patrick halbig" <phalbig@xxxxxxxxxxxxx> wrote:
tides l.p.:
almost sounds like a marketing experiment:
what aspects will they respond to: well....some of those Scam records
have the requisite melodic melancholia. Basic Channel depth (appropriated
itself) into the mix. To Rococo et al-----let's redefine pop.
Press releases are always bloated, and the blurbage I have seen on "Tides"
is not nearly as puffy as some. The music, however, is the key - remember,
unlike some more troubling releases, none of the claims of paradigm
tectonics and socio-political cruciality are reprinted in the liner notes
here - and "Tides" is simply a beautiful
record. Revolutionary? No. Hubble telescope sightable at the level of
galacto-musical history? No. Post-_____? I hope not. DSP plugin of the
month trainspottable? Mercifully not. And as for the comparisons, Scam is
hardly audible here, nor is Basic Channel, and the parrot-ready Autechre (a
word a bird might be able to say rapidly) references are nowhere to be
found. To Rococo Rot might be a bit closer, but only in the sense that
both TRR and Arovane (at least on "Tides") seem to be connecting into the
Koln tradition of melodic upbeat electronic music in the 1970s. There is
some nice use of guitar and much seaside environmental sound, some rhythms
perhaps not too distant from those of a trip-hop record, and a focus on
atmosphere over tweakery. For esoteric GUI wankery, post-structuralist (or
for that matter proto-neo-situationalist) relevance, or descendance from
highbrow academic music labs of L'Age d'Or, one will need to look
elsewhere. And as for marketing, "Tides" seems about as unfashionable and
uncalculated as one might make a record these days. Which is to say -
emotional, intuitive, and lovely indeed. But for reading, I am preferring
Peter Esterhazy at present to onesheets, leaving the latter for others'
frothing.
np - John Cage "Sonatas and Interludes for Prepared Piano" ($6 Naxos edition!)
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