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Re: [microsound] * off -icmc




'serious' is/was a term used last century to describe composition from within the academy...
what used to get called classical music in lay terms...computer music is serious in this sense and in that fact that they use scores and so on and so forth
<++note musicology relies heavily on the score...>
it has nothing to do with hip-ness
but about background and training...
.how many micro.musicians have training from the conservatorium here?




Dale Lloyd <dkl37@xxxxxxxx>
 In your e-mail, there seems to
be a bit of segregation, using the word "outsider" and "they are after
all serious composers." What is being implied here? A distinction of "hip
computer-geeks" from "unhip computer-geeks"? (If I'm not mistaken, I
thought I saw some academic composers on the interest-description of this
list). Besides the stirrings of an "us vs. them" vibe, there was the
implications that non-academic composers are firmly the source for
innovation. Is this really all that important? Can we not just enjoy
ourselves with what we ceate or listen to without feeding into some kind
of segregation
trip?