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Re: [microsound] I don't care how he did it, I enjoyed it thoroughly.



At 10:50 AM 11/20/00 -0800, Sean Cooper wrote:
i disagree with this. first, you've skipped from not wanting to list who
plays what to not wanting to show pictures.

Notice that I refered not to band photos but rather to a listener "picturing each of us arrayed on stage and tweaking our piles of gear" - that is, suggesting to listeners by way of personnel listings and technical credits a mental picture of the music as it is being made - as well as that I have added "for me" and not used any imperatives. In other words, I, as a listener as well as a musician, prefer to absorb the music directly rather than through the mediation of stereotypes and expectations that come with hardware, software, and personnel listenings; on a nonethical and purely aesthetic level, the technical void whence the mysterious noises of Zoviet-France came upon my first hearing allows me more freedom as a listener than does a record on which every noise is documented, credited, and footnoted. Never would I say that one is universally Better than the other, and certainly I see no higher Righteousness in the one approach as opposed to the other, but as a listener such details get in the way for me of a more direct connection with the sound itself. At the same time the musician part of my consciousness IS curious about the technical details of the music, and perhaps I might be interested to discover them after a first hearing of a record, making me, again, happy with the approach taken in the "La Selva" liner notes. Then again, as many other posts make clear, what for me improves the aesthetic pleasures of listening provides obfuscation and frustration for others here. What I want to underscore then is the danger of imposing rules for such things - when obviously all of us as musicians and as listeners have different preferences - and of overlaying the aesthetics of these preferences with an ethical language to me far more appropriately focused on other nonaesthetic aspects of music production and distribution. And really, a brilliant record with a gear list transcends its hardware and software, as Atom Heart did his MPC screen projections at CCAC.



joshua maremont / thermal - mailto:thermal@xxxxxxxxxxxxxxxxx boxman studies label - http://www.boxmanstudies.com/