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Re: [microsound] 160 kbps or minidisc



At 07:23 PM 6/8/01 +0200, Álvaro Castro wrote:
Now that you are talking about minidisc, I've visited
the address that somebody recommended (www.archos.com)
and I found a product very interesting. It offers 6 gB
of live recorgind at 160 kbps. The noise rate is 90db.
I think that it's better than a minidisc recorder. It
has an USB port.

It sounds like a nice one, but do note that ATRAC compression is much further along at this point than MP3 (I assume that is the format used by Archos) for sonic transparency, as well as that even the most basic of consumer MD walkman recorders allow the editing of one's recordings, including the moving of track IDs. And it is this editing ability which makes the MD ideal for location recording: one can trim unwanted segments, delete mis-takes, put track marks into a recording as it is made or afterwards, entitle each track, and rearrange tracks, all with a few buttons. And I drooled over the HHB portable of an earlier post: it even includes a lost time retrieval feature, allowing one to start a recording several seconds after the sound has begun. Two other advantages I have found with MD: when I record my own pieces to MD and play them back in DJ sets, the MD tracks punch through the rest of the mix, seemingly helped by some artifact of the compression; in addition, my MD walkmen have been very forgiving of mic input overloading and even with some harsh transients have never left the crunch of digital clipping on a recording. A harddisk recorder with a USB port is a great thing (and even better if it allows for uncompressed WAV and AIFF files - why compress on a 6GB drive?), but the MD walkman is a uniquely flexible, cheap, and robust device for the unpredictabilities of the field.


np - Wah! "Nah Poo = The Art of Bluff"

Joshua Maremont / Thermal - mailto:thermal@xxxxxxxxxxxxxxxxx
Boxman Studies Label - http://www.boxmanstudies.com/