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[ sydney info ] - and ever so slightly related to 'severed heads and you'...
- To: microsound <microsound@xxxxxxxxxxxxx>
- Subject: [ sydney info ] - and ever so slightly related to 'severed heads and you'...
- From: Tobias Kazumichi Grime <toby@xxxxxxxxxxxxx>
- Date: Sun, 26 Aug 2001 22:27:49 +1000
Hi,
Below is some Sydney info for an refreshing couple of nights of sound
art / performance.
Those not in Australia may / may not be familiar with the artists
names. Some of you maybe familiar with the work of Minit from sigma
editions or Rik Rue etc...
(Apologies for those outside Australia)
The evenings are curated by Gray Bradbury (one half of severed heads
in the 'early days')
As you can see from the descriptions, its a fairly diverse range of
sound practice happening on the two nights, elements of traditional
tape loop art, glitch, sample looping, laptop bashing, live voice,
flash sound widgets, super 8 film loops, laptop based video art and
more...
I've just started reading this list - great stuff and i'll get
involved soon as i gather my thoughts.
List query: Where do most people come from on this list? I see it
mostly US based?
Its been really fun reading the 'Re: severed heads and you :)' responses. Nice.
regards,
Kazumichi Grime
Sydney.
-----
STATIC MUSEUM 2 PROGRAMME
ARTSPACE 2001
EVENING ONE: THURSDAY 30TH AUGUST
THE LOOP ORCHESTRA: A Touch of Bloop
The Loopies present a pornographic audio homage to the late great Miles Davies.
Consisting entirely of tape loops strung onto dodgy old reel to reels
in various states of repair.
With film loop accompaniment by Ian Andrews.
SCOT HORSCROFT: Chug R Chug
Four inaudible guitarists, playing continuous loop like riffs, are
processed live thru a laptop
to produce a subtlely differentiated textured layered
mass.contact:shindig@xxxxxxxxxxxx
THREAD: Work in continuous progress
A collaboration between sound artist/designer Kazumichi Grime and
Greenwood and Polaine
who on this occasion generate accompanying visuals triggered by
audio. This performance will utilise Pitch Poker;
self designed musical software and a video variants created by
Polaine (from AniRom fame in England) and Greenwood (ZKM Institute
artist, Germany).
SANITY CLAUSE: Bilabial Plosive and other spontaneous works
Bradbury and Andrews focus on the destruction and rehabilitation of
vinyl records.
Multiple turntables are applied to explore and unleash the archaic
audio detritus inscribed on the surface of these abject twentieth
century artifacts.
WAKE UP AND LISTEN: Various
Driven by a compulsion to collage and emerging from an active
participation in experimental radio culture, O'neill and Bertram
layer and manipulate various sound sources into complex fields of
disturbing ,yet often humorous, stuff.
EVENING TWO: FRIDAY 31ST AUGUST
RIK RUE: Things Change, Things Remain the Same (ver. 3)
This piece is composed as both a performance and a radiophonic work.
First performed for Solo's Festival in Geneve and Lausanne,
Switzerland in 1997.
Also presented in it's radiophonic form for ABC's Listening Room and
ORF Radio Australia.
Dedicated to the late Brion Gysin and Paul Bowles.
Inspired by the Altas Mountains, Morroco and the Australian outback.
BRADBURY: Various
Recent works and reworkings by former member of Size, Severed Heads....
Applying numerous household sounds along with various analogue bleeps
and grunts.
A domestically inclined electronic folk music for a consumer culture
steeped in banality.
ANDREWS: Molecular Transmissions
A bunch of flash web interactives re-worked for live performance.
http://sysx.org/microsound/
ZERO CHARISMA: A Construction
A fresh collaboration between Mutante Frequante and Milk (of the
infamous Triclops)
in which custom build mechanical devises, spread throughout the room,
combine with mutant electronics. The listener sits immersed within
the apparatus itself.
MINIT: Various
The Sonny and Cher of the Sydney electronic music milieu present recent works.
Consistantly intriguing, delicate yet powerful.
SWEDEN: Greatest Hits
Dim memories of a neglected childhood spent listening to AM radio
come hurtling back through a sea of tortured twisted metal and
second hand records.
Sweden advocates the dissolution of self through the specific
application of Glam Aktionism.
This performance is in memory of Ashwoods.
--
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Tobias Kazumichi Grime
New media artist / sound / design / interactive / motion
M 0412 030 177
email: toby@xxxxxxxxxxxxx
http://www.kazumichi.com
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