RE: [microsound] oval and microsound

[Philip Sherburne <psherburne@xxxxxxxxxxxxxxxxxxx>]

by that logic, we should probably all unsub from microsound this instant and
start doing nothing but making music, since we're just "adding to the cult
of personality" of all the people we discuss.

i mean, what a snide comment! maybe it's for a class... maybe he's trying to
investigate precisely the cult of personality you describe... maybe he's a
critic and not an artist, in which case writing a paper, or an article, IS
creating something.

there's enough fault-finding in the world without dissing somebody for
something as innocent as researching a paper. sheesh.

-----Original Message-----
From: marc_mcnulty
To: microsound
Sent: 9/25/01 7:13 PM
Subject: Re: [microsound] oval and microsound

why would you write a paper on oval?  why don't you create something 
yourself and not add the to cult of personality?

At 12:00 PM 9/26/2001 +1000, you wrote:

>i am writing a paper on oval and was wanting to ask
>audio producers on the list...(and thinkers as well)
>a couple of questions
>
>kim cascone has said that oval '...double-clicked an
>entire genre of electronic music...'
>
>*how important do you think oval were in the development in the
>current state of experimental digital audio - both for the scene
>and in your own production?
>
>*what was it for you that they did?
>
>*if they were not important, or not the most important, then what
>figure(s) were and why?
>
>any answers are appreciated.
>
>         caleb~k
>--
>            >impermanent.audio
>    http://laudible.net/impaud
>
>
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plate lunch music --> http://platelunch.org
tiln - digital diffusion --> http://tiln.net & http://tiln.org
marc mcnulty --> http://marcmcnulty.org
io-records --> http://io-records.com












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