Re: [microsound] women in electronic music

[yatra arts <yatra-arts@xxxxxxxxx>]

thanks!
  ----- Original Message ----- 
  From: Andrei 
  To: microsound 
  Sent: Wednesday, February 13, 2002 1:57 AM
  Subject: Re: [microsound] women in electronic music


  On Wed, 13 Feb 2002 caleb.k@xxxxxxxxxxxx wrote:

  > i am going to open myself up to sever flaming but  this thread has
  > got to be one of the most pointless lists of names.
  >       what is the point of simply listing a bunch of names (be they
  > female, male, gay, three-legged) with no explanation of who they are,
  > what they do, why they are included.
  >       the thread seemed to be directed at women in *electronic* music
  > and includes an array of names from all over the place...some are
  > really pushing it Meiko Shiomi,for example, electronic music >>  come
  > on. what piece?   also simply a first or last name ? (in the case of
  > the japanese artists this isn't so clear cut)
  >
  > maybe we could all think of an original name each and and then  list
  > them. that will make it real easy as then we don't have to think when
  > someone complains about a lack of women in electronic music as we can
  > simply send them the list of 200 odd names (hopefully they won't look
  > too close or ask what any of them do or why they were included).
  >
  >     negative criticism this maybe but come on can't the list go
  > further than this.

  Regarding the list of names I posted:

  Kaija Saariaho
  http://www.saariaho.org/
  Most (if not all ?) of her work with electronics has been done at IRCAM.

  Laurie Spiegel
  http://www.retiary.org/ls/
  Has been writing her own music software and making electronic music for
  the last 30 years.

  Alice Shields
  http://www.amc.net/member/alice_shields/home.html
  Early Columbia-Princeton Electronic Music Center member.

  Pril Smiley
  from the liner notes to the "Pioneers of Electronic Music" CD on CRI:
  (b. 1943, Mohonk Lake, New York). Began her apprenticeship with Vladimir
  Ussachevsky and her long association with the Columbia-Princeton
  Electronic Music Center in 1963. Smiley assisted Ussachevsky on several of
  his classic works, including the score to the film "No Exit". From 1966 to
  1982 Smiley composed over forty electronic music scores for major theater,
  film and dance productions.

  Beatriz Ferreyra
  http://www.electrocd.com/bio.e/ferreyra_be.html
  Student of Canton, Ligeti, and Brown; worked at the GRM under
  Schaeffer from 63-70 and worked on his "Solfege de l'Objet Sonore" record;
  had one track on Philips Prospective XXI Sicle LP, etc.

  Ana-Maria Avram
  http://members.fortunecity.com/hyperionedmn/avram.html
  Romanian "spectral" composer

  Hildegard Westerkamp
  http://www.electrocd.com/bio.e/westerkamp_hi.html
  environmental sound and acoustic ecology


  // Andrei


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