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Re: [microsound] review: m.northam, y.dauby & t.koner @ STEIM
- To: microsound <microsound@xxxxxxxxxxxxx>
- Subject: Re: [microsound] review: m.northam, y.dauby & t.koner @ STEIM
- From: Derek Holzer <derek@xxxxxx>
- Date: Sat, 16 Feb 2002 23:42:30 +0100
Bill,
my big memory of Jeph Jerman was him playing feathers and pine cones,
completely unamplified (!) to a completely silent audience at the former XRay
Cafe space in Portland. The purist in me starting thinking out ways he could
preserve those sounds w/o electricity, inspiring much late night discussion on
theoretical "recording" techniques.
Northam also hails from Portland (my old pre-Euro home town as well), so
perhaps there's a geographic connection: funny-looking facial hair, flannel
shirts and "junk rock"...
best,
Derek
Quoting Bill Jarboe <billjarboe@xxxxxxxxxxxxx>:
--> on 2/16/02 2:04 PM, Derek Holzer at derek@xxxxxx wrote:
-->
--> > Northam's approach reminded me of seeing Jeph Jerman live -- it is an
--> approach
--> > which seeks to squeeze all available sounds out of a single object
--> before
--> > moving on to the next.
-->
-->
--> I've listened to Jeph Jerman live more than once. Several people I've
--> known have performed with him and there is a sort of 'seattle tradition '
--> of
--> coaxing sound from objects not usually considered musical instruments and
--> playing store bought instruments in manners they don't generally teach at
--> the conservatory.
-->
--> It's possible Jeph was in that group "Blowhole". They used to play
--> large
--> arenas amplifying really small objects.They also presented themselves as
--> an
--> ordinary rock band; I heard a live set from the 'gorge at george'and
--> thought
--> it was quite effective for musicians of that style to be'filling up the
--> sky'.
-->
-->
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