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re: Ars Electronica





its interesting the direction the award has taken. from the takeover of digital musics from computer music in 1999 >> which was done as it was perceived that academic computer was incredibly boring and was not keeping up with contemporary developments in new music. the computer music section was said to be an award for academics given to them by their peers (read friends as this is a small subculture). a pat on the back for all those computer musicians who were not being recognised.
now we have the digital music section and we see the same thing developing already. take a look at who is on the jury this year. i have nothing at all against them and only know one of them personally but it is a little left field.... bLectum from bLechdom, Tony Herrington, Naut Humon, Florian Hecker, Chris Watson.
tony herrington and naut humon seem to be the wild cards....sort of.


also there is a clause which i think may be new that states that the jury can nominate artists who have not entered (ie nominate their friends who didn't get it together to write an application) . madness all around.
is this the end what looked like a great chance for new electronic music to be rightly recognised. is the award now just friends awarding their friends awards??


..kk

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