Re: [microsound] feild music / not field recordings

[Nelson Provazi <nprovazi@xxxxxxxxxx>]

The use of chance on works was amazingly discussed during the dada period,
by tristan tzara and marcel duchamp, for instance. I believe this concept is
totally appliable to what musicians everywhere are interested on doing now.

nelson

>
> > of myself in the music that interests me, and thats where cage becomes
> > interesting, thats a major aspect of chance operations, to remove your
ego
> > from decsioin making.
>
> i can relate to this it seems that anytime i would try and create
something
> from a synthetic source other than drone work, i was never satisfied with
> the outcome. when you use field recordings you have no say in how the
sound
> moves and changes.
>
> j.frede
>
>
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