Re: [microsound] Talking about mou , lips!

[dbuchwald <dagmar.buchwald@xxxxxxxxxxxxxxxx>]

Wow!  Who said surrealism was dead?
"Coiling like a coperta of gelatine-placenta" -- maybe André Breton's most
recent incarnation is as online language translator ...
(more behind if same, well well)

Dagmar

"You see that blunder to hate the world?"

Bill Jarboe wrote:

> Dear list,
>
>   I was attempting to read a review of mou-lips!' 'Untree'and resorted to
> one of those online language translators. I found the results rather
> interesting:
>
> 3 january 2003: Kathodik webzine - http://www.kathodik.it
> Mou , Lips! "Untree"
>
> It is attractive to do to pick by surprise. You put on the umpteenth cd, the
> umpteenth demo, with your made packet of sentences already ready to pour in
> the' umpteenth (still) review-clone. Cinismo in point of thoughts. You
> reward play. Front corrucciato-anticipated. It begins the music.
> It is not what you waited for you. You see that blunder to hate the world?
> Nothing is like it is waited for us. The music is attractive, the group is
> not lost behind the trend of the moment (more behind if same, well well), us
> hears itself well to ri-scoprir ideas in music. Heat elettro-rhythmic. You
> play round, sliding noises, resonant objects , orchestrate played and
> championships. The giusta dose of improvisation and the as much giusta dose
> of structure (?). Et voilà! Perfect.
> It is such dense this demo-promo mou-lipsiano that the material one calmly
> could be contained in two exits separated.
> A first more rhythmic part neuronale; times from chemical
> transmission-electric. A second part soffusa, environmental, coiling like a
> coperta of gelatine-placenta. I do not say that the material clearly are
> separated, or rather melt themselves distinguishedly facendoci pass from an
> environment with lights to the neon to undersea environments. I say but that
> everything would be able to be also too much for the middle ascoltatore. But
> ce something of the middle one in fund rubs of it? Do not think so.
> To listen to and riascoltare: the initial Untree, the splendido fade
> poles-rhythmic of What buena that evolves and it it is differentiated in it
> to giveses to the from the, where the samplings of trumpet and pocket
> trumpet of the friend Jara Queeto seem to emphasize a third line of reading,
> and fish in the universal waters that immerses us or emerges in-from a
> sunken world with liquids, soffuse melodies and buzzing.
>
>
>
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