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AW: [microsound] mixing and mastering microsound



Hi, anthony!=20

Mastering microsound should meet the same standards as "conventional"
music - although compression might not be that important. But this
depends your musical style and taste.  This means the room where you sit
should sound "dry", the monitors should be full range and have a neutral
frequency curve. That way you REALLY hear what you produce - and your
listeners hear what you want them to hear. The preparation of your
material for vinyl should be done by professionals.=20
Good luck=20

roland

-----Urspr=FCngliche Nachricht-----
Von: antony [mailto:antony.desvaux@xxxxxxxxxx]=20
Gesendet: Mittwoch, 23. April 2003 12:59
An: microsound
Betreff: [microsound] mixing and mastering microsound

Hello everyone,
I was wondering what kind of set up do you use to mix and master
microsound
as it can be a really quiet sound source and i read everywhere that you
must
use proper monitors to do the job. The thing is i don't know how i could
master music such as richard chartier's on monitors, it's almost
impossible
to hear anything with precision. So, is microsound an exception to the
common rules of mastering that tell you to use monitors only and so is
it
preferrable to mix and master using headphones?
Any infos regarding this is highly appreciated. Thanks.

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