Re: [microsound] can't teach an old aibo new tricks

["Phil Thomson" <hellomynameisphil@xxxxxxxxxxxxxx>]

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The Mac file system has a binary fork and a resource fork. The binary
fork holds the data, and the resource fork holds info about the file,
including its file type etc. When, eg, Peak saves an audio file made in
another program, it writes to the resource fork and thus changes the
icon of the file and certain other info about it. Theoretically, it's
possible to write copyright data or whatever to the resource fork but
I'm not sure if anyone has done that. I'm sure there's some way of
hacking that info in some way.

<-----Original Message----->

how much for a refurb dog? (...humans to come...)

you made me think of audio fingerprinting, as it relates to sony
hardware
vs sony software (a problem for these vertically integrated
corporations).

Does anyone here know if SHack, VST, Peak, Sound Forge, Max, etc. leave
any
"fingerprints," on audio, the way that for example Dream Weaver does?

Does audio processed with [for example] Peak have a "fingerprint," left
from Peak? anyone working in this type of digital audio forensics?

Also (maybe this has been covered) what is the legal use law when it
comes
to producing unrecognizable audio from copyrighted audio?

Just curious,

Mr. Poindexter, if you're listening.

tim

ndk wrote:

> I was just thinking a moment if the Sony takes over Sonic Foundry
really
> means much (well not to me, I use a mac).
>
> One thought came up when I received a legit (though unsolicited) email
> from a vendor I bought from offering reconditioned pet robot dogs. 

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