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Re: [microsound] Re: History of Glitch



// [Someday, I will put online an archive of everything I have gathered on
these subjects .. I have quite a folder of PDFs & webpages. tV]

Lazy places -- everything here:

    -http://www.mille-plateaux.net/theory/index.html
    -Parachute 107 (journal)
    -also everything by Francisco Lopez on his website, Terre Thaemlitz ..
    -the new Mille Plateaux _Sound Cultures_ book
    -check out the new _Post-Subcultures Reader_ coming out on Berg Press

// .. here's an incomplete list of other stuff -- I'd appreciate any
additions to these ranks -- please share!

Andrews, Ian. "Post-digital aesthetics and the return to Modernism."
    http://radioscopia.org/postdig.html

Ashline, William. "Clicky Aesthetics: Deleuze, Headphonics, and the
    Minimalist Assemblage of 'Aberrations.'" Strategies: Journal of Theory,
    Culture, Politics 15.1 (2002): 87-104.

Cascone, Kim.=20

--. "The Microsound Scene: An Interview with Kim Cascone" by Jeremy Turner.
    Ctheory A101 (12/4/2001): http://ctheory.net/text_file.asp?pick=3D322

--. "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary
    Computer Music." Computer Music Journal, 24:4 Winter 2000, pp. 12-18.
=20
--. "Deleuze and Contemporary Electronic Music." Intersects: between the
    disciplines, 1 (1), December 2001. Online only.
    http://www.iisgp.ubc.ca/whatsnew/intersects/issues/dec01/cascone.htm
=20
--. "Grain, Sequence, System. (three levels of reception in the performance
    of laptop music)." Ms. Forthcoming from Mille Plateaux.

--. Laptop Music=8BCounterfeiting Aura in the Age of Infinite Reproduction."
    Parachute: electrosons_electrosounds 107 (2002): 52-60.

Chapman, Owen and Anna Friz. "Too Big for their Beats? Questions for the
    Microsound Revolution." Graduate Researcher: Journal For the Arts,
    Sciences, and Technology 1.2 (2003). (With accompanying audio CD).

Hecker, Tim. "Sound and the 'Victorious Realm of Electricity.'" Parachute:
    electrosons_electrosounds, 107, 2002. pp. 60-68.

Reynolds, Simon. "Low End Theory." The Wire 146 (4/96).

Szepanksi, Achim. "Digital Music and Media Theory." Parachute 107 (2002):
    24-27.

vanHanen, Janne. "Loving the Ghost in the Machine: Aesthetics of
    Interruption." Ctheory A099 (11/26/2001):
    http://ctheory.net/text_file.asp?pick=3D312

--. "Neuro-Transmit Me These Empty Sounds: An Interview with Janne vanHanen=
"
    by Jeremy Turner. Ctheory A102 (12/4/2001):
    http://ctheory.net/text_file.asp?pick=3D323

van Veen, tobias c.

*[OK, so I apologise here; I've limited it just to relevant & more recent
publications .. erg .. well, here goes]:

--. "2001: Of the Jetone." Discorder November (2001).

--. The 2003-2004 Canadian Electronic Music Directory. Montr=E9al: AEMusic,
    Heritage Canada and the Department of Foreign Affairs, 2003.

--. "A Fine Marriage of Madness and the Margins at Mutek 2002." The Wire.
    222, August (2002).
=20
--. "All of This Needs to Be Erased: Kit Clayton and Sutekh." Discorder
    Jancember (2000/2001).
=20
--. "Andrew Duke Dukes It Out." Discorder October (2001).

--. "Bleeps in the Heart of the Beast=8BMutek 2002 in Montr=E9al." Discorder
    July (2002).

--, with Lucinda Catchlove and Colin Arason. =B3Cities of Glass: The History
    of Canadian Electronic Music, Part One.=B2 e|i 1.2 (2003): 68-76.

--. "Digital DJing: Richie Hawtin and (the) Final Scratch." Discorder
    Jancember (2001/2002).
=20
--. "From the Mole to the Molar: Dirt, Decks, and Dub." Discorder November
    (2002).

--. "FUCK ART LET'S DANCE." FUSE 26.3 (2003): Forthcoming.

--. "Immediatism" [1]. e|I 1.1 (2003): 20.
--. "Immediatism" [2]. e|I 1.2 (2003): 22.
--. "Immediatism" [3]. e|I 1.3 (2003): Forthcoming.

--. "It's Not A Rave, Officer." FUSE 26.1 (2003).

--. "It's Not A Rave, Officer [15 Minute Remix]." The Graduate Researcher:
    Journal for the Arts, Sciences and Technology 1.2 (2003). (With
    accompanying audio CD).

--. "Laptops & Loops: The Advent of New Forms of Experimentation and the
    Question of Technology in Experimental Music and Performance." UAAC
    National Conference 2002. 10.30-11.2.02. University of Alberta, Calgary=
,
    Canada. http://www.quadrantcrossing.org/papers/Laptops&Loops-UAAC-tV.pd=
f

--. =B3Laptop Libido on Rewind=8BMutek to Sonar 2003.=B2 Discorder October (2003)
    and Dustedmagazine.com <http://www.dustedmagazine.com/features/153>.

--. "Mutek 2001." Discorder August (2001).

--. "[Mutek] 2003." Dustedmagazine.com June (2003):
    http://www.dustedmagazine.com/features/117
    http://www.dustedmagazine.com/features/115
    http://www.dustedmagazine.com/features/116
    http://www.dustedmagazine.com/features/118
    http://www.dustedmagazine.com/features/119

--. "Safety Scissors, Loscil, a refrigerator, and a waiter." Discorder
    February, (2002).

--. "Sophistry with DJ Spooky." Discorder August (2001).

--. "Vinyauralism: The Art and the Craft of Turntablism. The DJ School."
    Discorder March, April (2002).
=20
--. "warehouse . space: rave culture, selling-out, and sonic revolution."
    Capital 1.1 (2003).

> Hi,
>=20
> Can anyone help me with information on the following (ie online
> articles/discussions/essays, books, journals etc) -
>=20
> * The history of glitch (since early 1980's computer music)
> * Relationship between glitch and advances in digital technology
> * The future of glitch -  as we move into the post-digital age. What effe=
ct
> will post-digital technology have on glitch? Where is it going?
> * History and use of granular synthesis within glitch as a music genre
>=20
> Cheers,
> e.
>=20
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>=20
>=20
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>=20

tobias c. van Veen -----------
http://www.quadrantcrossing.org
http://www.thisistheonlyart.com
--- tobias@xxxxxxxxxxxxxxxxxxxx
---McGill Communications------
ICQ: 18766209 | AIM: thesaibot

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