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Re: [microsound] Retinascan News December 2003



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oh, sorry, this is of course out on http://www.retinascan.de

Store schrieb:

> retinascan releases November/December 2003
> sorry for crossposting
>
>
> forceps - unique thievery cover
> re31 - forceps - unique thievery pt. a - great western street in tatters
>
> "Unique Thievery" is a concept trying to focus on the connection 
> between the CD as a product and its content. Triggered by sales 
> sessions on ebay and realising that most old album have completely 
> lost its monetary value and were almost unsellable, there was the 
> question of how the remaining material could be "recycled", thinking 
> of the hardware as well as of the music itself.
> Part a. is derived from a 1991 recording of the infamous swinghop/Acid 
> Jazz Combo "chapter& the verse", containing 12 tracks that were run 
> through groups of VST plugins, most of them bred by the fantastic 
> developer Greg Davis <http://gdavis.dyndns.org/plugins.html>. Through 
> this work, it has become a unique piece of art as well as a "slightly 
> changed" second hand item you won't really call "in mint condition" 
> anymore. Glitch as glitch can.
> Due to copyright protection, there's only ONE copy of this release 
> available and no mp3s up. However, we encourage the potential buyer to 
> put it up where other can take hold of it.
>
> Unassisted cover artwork
> re32 - unassisted - in the land of korbinian pschorr
>
> After his strongly conceptual debut at retinascan, "prototypes", 
> unassisted Christian
> Walch is back with a full-length release placed between Schranz and 
> microsampling,
> creating a unique style of his own. Strict 4/4 beats meet clusters of 
> noises from
> unlimited source materials. Named "In the Land of Korbinian Pschorr", 
> Walch achieves
> to unite bavarian folksiness with the extreme headstrength of his 
> first release.
>
>
>
> future remix - cover artwork
> re33 - future remix - everything goes empty
>
> After contributing to the Siemers remix compilation, future remix puts 
> out his first ton-heavy block of meditative noise at Retinascan
> Everything goes empty. Broken noise crush - then empty. It's a closed 
> loop with noise mixed to infinity. Noise and emptiness in the 
> background. It's an endless mix - and In the end nothing lasts forever.
>

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oh, sorry, this is of course out on <a class="moz-txt-link-freetext" href="http://www.retinascan.de";>http://www.retinascan.de</a><br>
<br>
Store schrieb:<br>
<blockquote type="cite" cite="mid3FC501B4.9020602@xxxxxxxxxxxxx">     
  <meta http-equiv="Content-Type" content="text/html;">
  <title></title>
               retinascan releases November/December 2003<br>
  sorry for crossposting<br>
  <br>
 <br>
 
  <table cellpadding="2" cellspacing="2" border="1" width="100%">
   <tbody>
     <tr>
       <td valign="top" height="105" width="105"><img
 src="http://www.retinascan.de/images/forceps-thievery.jpg";
 alt="forceps - unique thievery cover" width="100" height="100"
 moz-do-not-send="true">
       <br>
       </td>
       <td valign="top"><b>re31 - forceps - unique thievery pt. a - great 
western street in tatters</b><br>
       <br>
   <font size="-1">"<big>Unique Thievery" is a concept trying to focus on 
the connection between the CD as a product and its content. Triggered by sales
sessions on ebay and realising  that most old album have completely lost
its monetary value and were almost unsellable, there was the question of
how the remaining material could be "recycled",  thinking of the hardware
 as well as of the music itself. <br>
   Part a. is derived from a 1991 recording of the infamous swinghop/Acid 
Jazz Combo "chapter&amp; the verse", containing 12 tracks that were run through
 groups of VST plugins,  most of them bred by the fantastic developer</big>
       </font><a href="http://gdavis.dyndns.org/plugins.html";>Greg Davis</a>. 
      <big><font size="-1"><big>Through this work, it has become a unique 
piece of art as well as a "slightly changed" second hand item you won't really 
call "in mint condition" anymore. Glitch as glitch can.<br>
   Due to copyright protection, there's only ONE copy of this release available
 and no mp3s up. However, we encourage the potential buyer to put it up where
 other can take hold of it.</big></font></big><br>
       <br>
       </td>
     </tr>
     <tr>
       <td valign="top"><img
 src="http://www.retinascan.de/images/korbinian-cover.jpg";
 alt="Unassisted cover artwork" width="100" height="102"
 moz-do-not-send="true">
       <br>
       </td>
       <td valign="top"><b>re32 - unassisted - in the land of korbinian pschorr</b><br>
       <br>
    After his strongly conceptual debut at retinascan, "prototypes", unassisted
 Christian <br>
    Walch is back with a full-length release placed between Schranz and microsampling,
       <br>
    creating a unique style of his own. Strict 4/4 beats meet clusters of 
noises from <br>
    unlimited source materials. Named "In the Land of Korbinian Pschorr", 
Walch achieves<br>
    to unite bavarian folksiness with the extreme headstrength of his first
 release. <br>
       <br>
       <br>
       <br>
       </td>
     </tr>
     <tr>
       <td valign="top"><img
 src="http://www.retinascan.de/images/future-remix-cover.gif";
 alt="future remix - cover artwork" width="100" height="100"
 moz-do-not-send="true">
       <br>
       </td>
       <td valign="top"><b>re33 - future remix - everything goes empty</b><br>
       <br>
   <big><font size="-1"><big>After contributing to the Siemers remix compilation,
 future remix  		puts out his first ton-heavy block of meditative noise at
 Retinascan</big></font></big><br>
   Everything goes empty. Broken noise crush - then empty.  It's a closed 
loop with noise mixed to infinity. Noise and emptiness in the background. 
 It&#8217;s an endless mix - and In the end nothing lasts forever.  <br>
       </td>
     </tr>
   
    </tbody> 
  </table>
 </blockquote>
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